Sacred and Secular Poems
Among his works, which include some poems on sacred subjects, are:
- The Betraying of Christ (1598)
- The Letting of Humour's Blood in the Head-vaine (epigrams and satires) and A Mery Meetinge, or tis Mery when Knaves mete (1600) -- the two latter being publicly burnt by order, but republished later under other names (Humors Ordinarie and The Knave of Clubbes)
- Greene's Ghost haunting Conie-Catchers (1602), which he pretended to have edited from Greene's papers, but which is largely borrowed from his printed works
- Tis Merrie when Gossips meete (1602), a dialogue between a Widow, a Wile, a Maid and a Vintner
- Looke to it; for Ile stabbe ye (1604), in which Death describes the tyrants, careless divines and other evil-doers whom he will destroy
- Hell's broke loose (1605), an account of John of Leyden. In the same year a Theatre of Divine Recreation (not extant), poems founded on the Old Testament, and a collection of epigrams entitled Humor's Antique Faces
- A Terrible Battle between ... Time and Death (1606)
- Democritus, or Doctor Merry-man his Medicines against Melancholy humors, reprinted, with alterations, as Doctor Merrie-man, and Diogenes Lent home (1607), in which Athens is London
- The Famous History of Guy, Earl of Warwick (1607), a long romance in Rowlands's favorite six-lined stanza, and one of his hastiest, least successful efforts
- Humors Looking Glasse (1608)
- Martin Mark-all, Beadle of Bridewell (1610), a history of roguery containing much information about notable highwaymen and the completest vocabulary of thieves' slang up to that time.
Read more about this topic: Samuel Rowlands
Famous quotes containing the words sacred, secular and/or poems:
“Each is under the most sacred obligation not to squander the material committed to him, not to sap his strength in folly and vice, and to see at the least that he delivers a product worthy the labor and cost which have been expended on him.”
—Anna Julia Cooper (18591964)
“In a secular age, an authentic miracle must purport to be a hoax, in order to gain credit in the world.”
—Angela Carter (19401992)
“Suppertime I float toward you
from the stewpot
holding poems you shrug off
and you kiss me like a mosquito.”
—Anne Sexton (19281974)