Dramatic Works
| Title | Year of Premier | Location of Premier | Year Published |
|---|---|---|---|
| The Diversions of the Morning or, A Dish of Chocolate (revised as A Cup of Tea) | 1747 | Haymarket | ---- |
| An Auction of Pictures | 1748 | Haymarket | ---- |
| The Knights | 1748 | Drury Lane | 1754 |
| Taste | 1752 | Drury Lane | 1752 |
| An Englishman in Paris | 1753 | Covent Garden | 1753 |
| A Writ of Inquiry on the Inquisitor General | 1754 | Haymarket | ---- |
| The Englishman Returned from Paris | 1756 | Covent Garden | 1756 |
| The Green-Room Squabble or a Battle Royal between the Queen of Babylon and the Daughter of Darius | 1756 | Haymarket | Lost |
| The Author | 1757 | Drury Lane | 1757 |
| The Minor | 1760 | Haymarket | 1760 |
| Tragedy a la Mode (alternative act 2 for Diversions) | 1760 | Drury Lane | 1795 |
| The Lyar | 1762 | Covent Garden | 1764 |
| The Orators | 1762 | Haymarket | 1762 |
| The Mayor of Garrett | 1763 | Haymarket | 1764 |
| The Trial of Samuel Foote, Esq. for a Libel on Peter Paragraph | 1763 | Haymarket | 1795 |
| The Patron | 1764 | Haymarket | 1764 |
| The Commissary | 1765 | Haymarket | 1765 |
| The Devil on Two Sticks | 1768 | Haymarket | 1778 |
| The Lame Lover | 1770 | Haymarket | 1771 |
| The Maid of Bath | 1771 | Haymarket | 1771 |
| The Nabob | 1772 | Haymarket | 1778 |
| Piety in Pattens | 1773 | Haymarket | 1973 |
| The Bankrupt | 1773 | Haymarket | 1776 |
| The Cozeners | 1774 | Haymarket | 1776 |
| A Trip to Calais (revised as The Capuchin) | 1776 | Haymarket | 1778 |
Read more about this topic: Samuel Foote
Famous quotes containing the words dramatic and/or works:
““The unities, sir,’ he said, “are a completeness—a kind of universal dovetailedness with regard to place and time—a sort of general oneness, if I may be allowed to use so strong an expression. I take those to be the dramatic unities, so far as I have been enabled to bestow attention upon them, and I have read much upon the subject, and thought much.””
—Charles Dickens (1812–1870)
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)