Samuel Beckett - Legacy

Legacy

Of all the English-language modernists, Beckett's work represents the most sustained attack on the realist tradition. He opened up the possibility of theatre and fiction that dispense with conventional plot and the unities of time and place in order to focus on essential components of the human condition. Václav Havel, John Banville, Aidan Higgins, Tom Stoppard, and Harold Pinter have publicly stated their indebtedness to Beckett's example. He has had a wider influence on experimental writing since the 1950s, from the Beat generation to the happenings of the 1960s and after. In an Irish context, he has exerted great influence on poets such as John Banville, Derek Mahon, Thomas Kinsella, as well as writers like Trevor Joyce and Catherine Walsh who proclaim their adherence to the modernist tradition as an alternative to the dominant realist mainstream.

Many major 20th-century composers, including Luciano Berio, György Kurtág, Morton Feldman, Pascal Dusapin, Scott Fields, Philip Glass, Roman Haubenstock-Ramati and Heinz Holliger have created musical works based on his texts. Beckett's work was also an influence on many visual artists, including Bruce Nauman, Douglas Gordon, Alexander Arotin, and Avigdor Arikha; Arikha, as well as some short film makers, like Leila Newton-Fox,has been inspired by his play 'Endgame' created a short film 'Stalemate'. In addition to being inspired by Beckett's literary world, also drew a number of portraits of Beckett and illustrated several of his works.

Beckett is one of the most widely discussed and highly prized of 20th-century authors, inspiring a critical industry to rival that which has sprung up around James Joyce. He has divided critical opinion. Some early philosophical critics, such as Sartre and Theodor Adorno, praised him, one for his revelation of absurdity, the other for his works' critical refusal of simplicities; others such as Georg Lukács condemn for 'decadent' lack of realism. American critic Harold Bloom pays attention to his atheism of Anglican source, compared with James Joyce's, former Catholic bent, noting:

As for Christianity and Waiting for Godot, Beckett was definitive: «Christianity is a mythology with which I am perfectly familiar and so I use it. But not in this case.» It is always worth remembering that Beckett more than shared Joyce's distaste for Christianity and for Ireland. Both men chose unbelief and Paris.

— Harold Bloom, The Western Canon

Since Beckett's death, all rights for performance of his plays are handled by the Beckett estate, currently managed by Edward Beckett (the author's nephew). The estate has a controversial reputation for maintaining firm control over how Beckett's plays are performed and does not grant licenses to productions that do not adhere strictly to the writer's stage directions.

Historians interested in tracing Beckett's blood line were, in 2004, granted access to confirmed trace samples of his DNA to conduct molecular genealogical studies to facilitate precise lineage determination.

Some of the best-known pictures of Beckett were taken by photographer John Minihan, who photographed him between 1980 and 1985 and developed such a good relationship with the writer that he became, in effect, his official photographer. Some consider one of these to be among the top three photographs of the 20th century. It was the theater photographer John Haynes, however, who took possibly the most widely reproduced image of Beckett: it is used on the cover of the Knowlson biography, for instance. This portrait was taken during rehearsals of the San Quentin Drama Workshop at the Royal Court Theatre in London, where Haynes photographed many productions of Beckett's work.

On 10 December 2009, the newest bridge across the River Liffey in Dublin was opened and named the Samuel Beckett Bridge in his honour. Reminiscent of a harp on its side, it was designed by the celebrated Spanish architect Santiago Calatrava, who had also designed the James Joyce Bridge further upstream opened on Bloomsday (16 June) 2003. Attendees at the official opening ceremony included Beckett’s niece Caroline Murphy, his nephew Edward Beckett, poet Seamus Heaney and Barry McGovern.