Production
Of Samson, Wajda wrote,
On first reading Kazimierz Brandys's novel Samson, I remembered the drawings by Gustave Doré I had seen as a child, and I started dreaming of making a modern film version of the great Biblical tale. What the novel demanded of a director, however, was simplicity, modesty and, above all, respect for details. From the first day of shooting to the final day of editing, I remained torn between the two extremes. As veterans of Ashes and Diamonds both of us, Jerzy Wójcik and myself, realized the power of narrative shortcuts and the impact of symbolism on the screen. We wanted to continue in that direction. Brandys' novel, however, contradicted and desperately resisted our concepts.Read more about this topic: Samson (1961 Film)
Famous quotes containing the word production:
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (1869–1940)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)