Depictions in Art, Literature and Film
The cathedral is the subject of famous paintings by John Constable. The view depicted in the paintings has changed very little in almost two centuries.
The cathedral is also the subject of William Golding's novel The Spire which deals with the fictional Dean Jocelin who makes the building of the spire his life's work.
In Edward Rutherfurd's historical novel Sarum the narrative deals with the human settlement of the Salisbury area from pre-historic times just after the last Ice Age to the modern era. The construction of the cathedral itself, its famous spire, bell tower and chapter house are all important plot points in the novel, which blends historic characters with invented ones.
The cathedral has been mentioned by the author Ken Follett as one of two models for the fictional Kingsbridge Cathedral in his historical novel, The Pillars of the Earth. It was also used for some external shots in the 2010 miniseries based on Follett's book and was shown as it is today in the final scene.
The cathedral was the setting for the 2005 BBC television drama Mr. Harvey Lights a Candle, written by Rhidian Brook and directed by Susanna White.
Kevin McCloud climbed the cathedral in his programme called Don't Look Down! in which he climbed high structures to conquer his fear of heights.
The cathedral was the subject of a Channel 4 Time Team programme which was first broadcast on 8 February 2009.
Read more about this topic: Salisbury Cathedral
Famous quotes containing the words depictions, literature and/or film:
“Surely, of all creatures we eat, we are most brutal to snails. Helix optera is dug out of the earth where he has been peacefully enjoying his summer sleep, cracked like an egg, and eaten raw, presumably alive. Or boiled in oil. Or roasted in the hot ashes of a wood fire.... If God is a snail, Bosch’s depictions of Hell are going to look like a vicarage tea-party.”
—Angela Carter (1940–1992)
“Since people no longer attend church, theater remains as the only public service, and literature as the only private devotion.”
—Franz Grillparzer (1791–1872)
“Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)