Music
| Salaam Namaste | ||||
|---|---|---|---|---|
| Studio album by Vishal-Shekhar | ||||
| Released | 10 August 2005 (India) | |||
| Genre | Feature film soundtrack | |||
| Label | Yash Raj Music | |||
| Producer | Vishal-Shekhar | |||
| Vishal-Shekhar chronology | ||||
|
||||
The film has seven songs composed by the duo Vishal-Shekhar. The music of the film released on 10 August 2005. The music includes four songs and two remixes.Lyrics are penned by Jaideep Sahni.
| Song | Singer(s) | Duration |
|---|---|---|
| Salaam Namaste | Kunal Ganjawala, Vasundhara Das | 4.37 |
| My Dil Goes Mmmm | Shaan, Gayatri Ganjawala | 7.34 |
| What's Going On? | Kunal Ganjawala, Sunidhi Chauhan | 4.41 |
| Tu Jahan | Sonu Nigam, Mahalakshmi Iyer | 5.15 |
| My Dil Goes Mmmm (English Club Mix) | Shaan, Caralisa Monteiro | 4.08 |
| Salaam Namaste (Dhol Mix) | Kunal Ganjawala, Vasundhara Das | 3.54 |
| My Dil Goes Mmmm | Instrumental | 4.08 |
Read more about this topic: Salaam Namaste
Famous quotes containing the word music:
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well knownit was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboys pony.”
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“Nearly all the bands are mustered out of service; ours therefore is a novelty. We marched a few miles yesterday on a road where troops have not before marched. It was funny to see the children. I saw our boys running after the music in many a group of clean, bright-looking, excited little fellows.”
—Rutherford Birchard Hayes (18221893)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)