Sacred Heart Imagery
The Sacred Heart has also been involved in (and been depicted) in saintly apparitions such as those to Saint Catherine Labouré in 1830 and appears on the Miraculous Medal. On the Miraculous Medal, the Sacred Heart is crowned with thorns. The Immaculate Heart of Mary also appears on the medal, next to the Sacred Heart, but is pierced by a sword, rather than being crowned with thorns. The M on the medal signifies the Blessed Virgin at the foot of the Cross when Jesus was being crucified.
Religious imagery depicting the Sacred Heart is frequently featured in Roman Catholic, and sometimes Anglican and Lutheran homes. Sometimes images display beneath them a list of family members, indicating that the entire family is entrusted to the protection of Jesus in the Sacred Heart, from whom blessings on the home and the family members are sought. The prayer "O Sacred Heart of Jesus, I place all my trust in Thee" is often used. One particular image has been used as part of a set, along with an image of the Blessed Virgin Mary. In that image, Mary too was shown pointing to her Immaculate Heart, expressing her love for the human race and for her Son, Jesus Christ. The mirror images reflect an eternal binding of the two hearts.
The Scapular of the Sacred Heart and the Scapular of the Sacred Hearts of Jesus and Mary are worn by Roman Catholics.
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Famous quotes containing the words sacred, heart and/or imagery:
“There is a sacred horror about everything grand. It is easy to admire mediocrity and hills; but whatever is too lofty, a genius as well as a mountain, an assembly as well as a masterpiece, seen too near, is appalling.”
—Victor Hugo (1802–1885)
“my heart leaps
in wonder.
Cold, fresh, deep, I feel the word ‘water’
spelled in my left palm.”
—Denise Levertov (b. 1923)
“Poetry presents indivisible wholes of human consciousness, modified and ordered by the stringent requirements of form. Prose, aiming at a definite and concrete goal, generally suppresses everything inessential to its purpose; poetry, existing only to exhibit itself as an aesthetic object, aims only at completeness and perfection of form.”
—Richard Harter Fogle, U.S. critic, educator. The Imagery of Keats and Shelley, ch. 1, University of North Carolina Press (1949)