Early Career
Ruth Gordon began her career early, posing as a picture baby for Mellin's food. In 1915, Gordon appeared as an extra in silent films that were shot in Fort Lee, New Jersey, including as a dancer in The Whirl of Life, a film based on the lives of Vernon and Irene Castle.
That same year, she made her Broadway debut in a revival of Peter Pan, or The Boy Who Wouldn't Grow Up, in the role of Nibs (one of the Lost Boys), appearing onstage with Maude Adams and earning a favorable mention from the powerful critic Alexander Woollcott. Woollcott, who described her favorably as "ever so gay," would become her friend and mentor. In 1918, Gordon played Lola Pratt in the Broadway adaptation of Booth Tarkington's Seventeen opposite actor Gregory Kelly, who later acted with her in North American tours of Frank Craven's The First Year and Tarkington's Clarence and Tweedles. Kelly became her first husband in 1921, but died of heart disease in 1927, at the age of 36. Gordon in 1927 and 1928, had been enjoying a comeback, appearing on Broadway as Bobby in Maxwell Anderson's Saturday's Children, performing in a serious role after having been typecast for years as a "beautiful, but dumb" character.
In 1929, Gordon was starring in the title role of "Serena Blandish" when she became pregnant by the show's producer, Jed Harris. Their son, Jones Harris, was born in Paris that year. Gordon and Harris never married.
Gordon continued to act on the stage throughout the 1930s, including notable runs as Mattie in Ethan Frome, Margery Pinchwife in William Wycherley's Restoration comedy The Country Wife at London's Old Vic and on Broadway, and Nora Helmer in Henrik Ibsen's A Doll's House at Central City, Colorado, and on Broadway.
Read more about this topic: Ruth Gordon
Famous quotes containing the words early and/or career:
“In early times, before the floods swept across the world, there was life, albeit odd, as one can see from the fossils of mammoth bones, and there was the regime of Prince Metternich.”
—Franz Grillparzer (1791–1872)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)