'Formalism' As Political Offense
In the Soviet period under Joseph Stalin, the authorities further developed the term's pejorative associations to cover any art which used complex techniques and forms accessible only to the elite, rather than being simplified for "the people" (as in socialist realism).
One of the most sophisticated critiques of the Formalist project was Leon Trotsky's Literature and Revolution (1924). Trotsky does not wholly dismiss the Formalist approach, but insists that "the methods of formal analysis are necessary, but insufficient" because they neglect the social world with which the human beings who write and read literature are bound up: "The form of art is, to a certain and very large degree, independent, but the artist who creates this form, and the spectator who is enjoying it, are not empty machines, one for creating form and the other for appreciating it. They are living people, with a crystallized psychology representing a certain unity, even if not entirely harmonious. This psychology is the result of social conditions" (180, 171). The Formalists were thus accused of being politically reactionary because of such unpatriotic remarks as Shklovsky's (quoted by Trotsky) that "Art was always free of life, and its color never reflected the color of the flag which waved over the fortress of the City" (164). The leaders of the movement suffered political persecution beginning in the 1920s, when Stalin came to power, which largely put an end to their inquiries.
- See also: Anti-formalism campaign
Read more about this topic: Russian Formalism
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