Stage Adaptations
In 1984, Hoban collaborated with Impact Theatre Co-operative on a performance entitled The Carrier Frequency. Hoban supplied the text for the piece, which was staged and performed by Impact. In 1999, The Carrier Frequency was restaged by the theater company Stan's Cafe.
In February 1986, a theatrical version of Hoban's novel Riddley Walker (adapted by Hoban himself) premiered at the Royal Exchange Theatre, Manchester. Its US premiere was at the Chocolate Bayou Theatre, in April 1987, directed by Greg Roach.
In November 2007, Hoban's adaptation of Riddley Walker was produced (for the third time) by the Red Kettle Theatre Company, in Waterford, Ireland, and was reviewed positively in the Irish Times.
In 2011, Trouble Puppet Theater Company produced an adaptation of Riddley Walker, with permission from and the aid of Russell Hoban. Artistic Director Connor Hopkins created the work of puppet theater, with performances September 29 through October 16, 2011, at Salvage Vanguard Theater in Austin, Texas, U.S. The production employed tabletop puppetry inspired by the Bunraku tradition and enjoyed popular and critical success.
In 2012, the Royal Shakespeare Company announced that it would be premiering a new staging of Hoban's novel The Mouse and His Child as part of its winter 2012-13 season.
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Famous quotes containing the word stage:
“We must be willing to change chairs if we want to grow. There is no permanent compatibility between a chair and a person. And there is no one right chair. What is right at one stage may be restricting at another or too soft. During the passage from one stage to another, we will be between two chairs. Wobbling no doubt, but developing.”
—Gail Sheehy (20th century)