Rush (Rush Album) - Recording and Production

Recording and Production

Originally the recording sessions were produced by Dave Stock at Eastern Sound in Toronto. They were scheduled late at night during the 'dead' time in studios because of the band's low budget and the rates during this period were the cheapest. Stock had also worked on the band's debut single (a cover of Buddy Holly's "Not Fade Away", with an original composition, "You Can't Fight It", on the B-side). "You Can't Fight It" was to be included on the album but was scrapped. Two of the Eastern Sound recordings, "In the Mood" and "Take a Friend" were included on the final album.

However, Rush were unhappy with the quality of the first sessions. They moved to Toronto Sound Studios and produced the next sessions themselves while achieving a significant improvement in recording quality. They added new overdubs to existing backing tracks of "What You're Doing", "Before and After" and "Working Man". The tracks with the most advanced production were recorded entirely at Toronto Sound: "Finding My Way", "Need Some Love" and "Here Again". These new songs took the place of recordings from the earlier sessions. Both studios used 8-channel multitrack recorders, which was quite primitive for 1973, but the group quickly learned to make the best use of the technology that was available.

In July 2008, Rush discovered an old version of "Working Man" with an alternate guitar solo. They allowed the makers of the popular rhythm game Rock Band to use the master tapes for the song's inclusion. This version of the song, known as "Working Man (Vault Edition)", was released as a downloadable song for the game, and later, on July 22, 2008, it was made available to the public through iTunes.

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Famous quotes containing the words recording and/or production:

    I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!
    Henry Miller (1891–1980)

    The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.
    Friedrich Nietzsche (1844–1900)