Style
Tamayo developed a method which criticizes more the painting rather than just the subject itself. By doing so, he is looking at the painting as a whole and not just the subject. As Tamayo explained this method to Paul Westheim, “As the number of colours we use decreases, the wealth of possibilities increases”. Tamayo was more focused on using single colors rather than using many colors because he believed using fewer colors in a painting gave the art piece a lot more meaning. An example painting that shows Tamayo’s unique color choices is seen in the painting Tres personajes cantando (Three singers), 1981. In this painting, Tamayo uses a lot of pure colors such as, red, purple, etc. The usages of these colors are very strong which defended his belief that the less colors one uses in a painting the more meaning that that painting can have. With that being said, Octavio Paz, author of the book Rufino Tamayo, argues that, “Time and again we have been told that Tamayo is a great colourist; but it should be added that this richness of colour is the result of sobriety”. By being pure, or as Paz explained, sober with his color choice, it gave Tamayo the richness in his paintings.
| “ | "If I could express with a single word what it is that distinguishes Tamayo from other painters, I would say without a moment's hesitation: Sun. For the sun is in all his pictures, whether we see it or not." - Nobel Prize-winning poet Octavio Paz | ” |
Read more about this topic: Rufino Tamayo
Famous quotes containing the word style:
“Switzerland is a small, steep country, much more up and down than sideways, and is all stuck over with large brown hotels built on the cuckoo clock style of architecture.”
—Ernest Hemingway (1899–1961)
“The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.”
—Edgar Allan Poe (1809–1849)
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (1817–1862)