Rue Lepic - Notable Addresses

Notable Addresses

  • At n°15, brasserie Café des 2 Moulins where the film Amélie was set.
  • At n°25, in 1910, the cabaret La Vache Enragée was based here.
  • At n°50, poet Jehan Rictus lived at this address for over a decade.
  • At n°53, resided Jean-Baptiste Clément (singer and prominent in Paris Commune) from 1880 to 1891. He then moved to n°112.
  • At n°54, lived Van Gogh and his brother Théo, on the third floor, from 1886 to 1888; Art dealer Alphonse Portier, lived on the first floor for several years - Armand Guillaumin had consigned some of his paintings to him in 1887.
  • At n°56, the Vandoren clarinet and saxophone reed manufacturer. Their premium reed brand is named after this address.
  • At n°59, lived the painter Charles Léandre in 1910; former site of Moulin de la Fontaine-Saint-Denis.
  • At n°64, once lived satirical cartoonist Forain in 1875.
  • At n°65, adjacent to avenue Junot, is site of the Moulin-Neuf (1741).
  • At n°72, former workshop of Félix Ziem.
  • At n°73, site of the Moulin-Vieux, which was demolished in 1860.
  • At n°77, Moulin de la Galette and Moulin le Radet.
  • At n°85 à 87, Moulin de la Petite-Tour construction dating from 1647.
  • At n°87, once lived Willette.
  • At n°89 à 93, Moulin de la Vieille-Tour, built in 1623.
  • At n°95 à 99, site of the Moulin-du-Palais, built in 1640.
  • At n°98, Louis-Ferdinand Céline resided.
  • At n°100, Austrian doctor David Gruby built an observatory on the roof of the building in 1860.
  • Au n°102, rough site of Moulin de la Grande-Tour, a tower constructed in stone which was taken down before the French Revolution.
  • At n°112, resided Jean-Baptiste Clément in 1891.

Read more about this topic:  Rue Lepic

Famous quotes containing the words notable and/or addresses:

    Every notable advance in technique or organization has to be paid for, and in most cases the debit is more or less equivalent to the credit. Except of course when it’s more than equivalent, as it has been with universal education, for example, or wireless, or these damned aeroplanes. In which case, of course, your progress is a step backwards and downwards.
    Aldous Huxley (1894–1963)

    If poetry should address itself to the same needs and aspirations, the same hopes and fears, to which the Bible addresses itself, it might rival it in distribution.
    Wallace Stevens (1879–1955)