Rudolf Steiner - Reception

Reception

See also: Reception of anthroposophy

Steiner's work has influenced a broad range of noted personalities. These include philosophers Albert Schweitzer, Owen Barfield and Richard Tarnas; writers Saul Bellow, Michael Ende, Selma Lagerlöf, Andrej Belyj, David Spangler, and William Irwin Thompson; artists Josef Beuys, Wassily Kandinsky, and Murray Griffin; esotericist and educationalist George Trevelyan; actor and acting teacher Michael Chekhov; cinema director Andrei Tarkovsky; composers Jonathan Harvey and Viktor Ullmann; and conductor Bruno Walter. Olav Hammer, though sharply critical of esoteric movements generally, terms Steiner "arguably the most historically and philosophically sophisticated spokesperson of the Esoteric Tradition."

Albert Schweitzer wrote that he and Steiner had in common that they had "taken on the life mission of working for the emergence of a true culture enlivened by the ideal of humanity and to encourage people to become truly thinking beings".

Robert Todd Carroll has said of Steiner that "Some of his ideas on education – such as educating the handicapped in the mainstream – are worth considering, although his overall plan for developing the spirit and the soul rather than the intellect cannot be admired".

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Famous quotes containing the word reception:

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)

    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
    Gerald R. Ford (b. 1913)

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)