History
The RSN began as the School of Art Needlework in 1872 founded by Lady Victoria Welby. The first President was Princess Christian of Schleswig-Holstein, Queen Victoria's third daughter, known to the RSN as Princess Helena. She received help from William Morris and many of his friends in the Arts and Crafts movement. It received its royal prefix in March 1875 when Queen Victoria consented to become its first patron. The word "Art" was dropped from the title in 1922.
Its initial space was in a small apartment on Sloane Street, employing 20 women. The school had grown to 150 students, moving in 1903 to Exhibition Road, near to the Victoria and Albert Museum. The purposed-built building was designed by group of architects, including prominent British "Arts and Crafts" architect James Leonard Williams (d.1926), who designed All Saints church in Oxted (1914-28) and St George’s in Sudbury, Middlesex (1926-27).
The school moved from Princes Gate in Kensington to Hampton Court Palace in 1987 and now features fine views of the palace gardens.
The work of the school has been used in many important events, including a joint effort with Toye in producing the velvet cushions on which the Royal Crowns were carried into Westminster Abbey for the Coronation of King George VI.
In 1953, the School created the gold embroidery on the Purple Robe of Estate, part of the coronation robes of Queen Elizabeth II.
In 2011, the school created the lace appliqués for the wedding dress of Kate Middleton, now Her Royal Highness, Catherine, Duchess of Cambridge.
Read more about this topic: Royal School Of Needlework
Famous quotes containing the word history:
“It is remarkable how closely the history of the apple tree is connected with that of man.”
—Henry David Thoreau (1817–1862)
“Don’t give your opinions about Art and the Purpose of Life. They are of little interest and, anyway, you can’t express them. Don’t analyse yourself. Give the relevant facts and let your readers make their own judgments. Stick to your story. It is not the most important subject in history but it is one about which you are uniquely qualified to speak.”
—Evelyn Waugh (1903–1966)
“The history of work has been, in part, the history of the worker’s body. Production depended on what the body could accomplish with strength and skill. Techniques that improve output have been driven by a general desire to decrease the pain of labor as well as by employers’ intentions to escape dependency upon that knowledge which only the sentient laboring body could provide.”
—Shoshana Zuboff (b. 1951)