The Royal Irish Academy of Music (RIAM) is a linked college of Dublin City University located in Dublin, Ireland.
It was founded in 1848 by a group of music enthusiasts and moved to its present address in Westland Row in 1871. The following year it was granted the right to use the title "Royal". In addition to academic degrees, the RIAM offers a variety of courses and examinations in the fields of music, public speaking and drama, including associate and licentiate diplomas. Grade examinations and practical and teaching diplomas can be taken by internal and external students.
The Cathal Gannon Early Music Room was opened in May 2003; it contains a harpsichord and clavichord made by Cathal Gannon, a Broadwood grand piano restored by him, a square piano and information about Mr Gannon.
In September 2010 John O'Conor stepped down as director.
In September 2010 Deborah Kelleher was appointed Director of the RIAM
Read more about Royal Irish Academy Of Music: Notable Alumni, Notable Teachers
Famous quotes containing the words royal, irish, academy and/or music:
“You know, he wanted to shoot the Royal Family, abolish marriage, and put everybody who’d been to public school in a chain gang. Yeah, he was a idealist, your dad was.”
—David Mercer, British screenwriter, and Karel Reisz. Mrs. Dell (Irene Handl)
“For every nineteenth-century middle-class family that protected its wife and child within the family circle, there was an Irish or a German girl scrubbing floors in that home, a Welsh boy mining coal to keep the home-baked goodies warm, a black girl doing the family laundry, a black mother and child picking cotton to be made into clothes for the family, and a Jewish or an Italian daughter in a sweatshop making “ladies” dresses or artificial flowers for the family to purchase.”
—Stephanie Coontz (20th century)
“The academy is not paradise. But learning is a place where paradise can be created.”
—bell hooks (b. c. 1955)
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)