Roy Orbison - Style and Influence

Style and Influence

was the true master of the romantic apocalypse you dreaded, and knew was coming after the first night you whispered ‘I Love You’ to your first girlfriend. You were going down. Roy was the coolest uncool loser you’d ever seen. With his Coke-bottle black glasses, his 3-octave range, he seemed to take joy sticking his knife deep into the hot belly of your teenage insecurities.

Although Orbison is counted as a rock and roll pioneer, and has been cited by numerous critics as one of the genre's most influential musicians, his style was noted for how it departed from the norm. Rock and roll in the 1950s was defined by a driving backbeat, heavy guitars, and lyrical themes that glorified youthful rebellion. However, very little of what Orbison recorded met these characteristics. The structure and themes of his songs defied convention, and his much-praised voice and performance style were unlike any other in rock and roll. Many of his contemporaries compared his music with that of classically trained musicians, although Orbison never mentioned any classical music influences. Author Peter Lehman summarized it, writing, "He achieved what he did not by copying classical music but by creating a unique form of popular music that drew upon a wide variety of music popular during his youth".

Bassist Jerry Scheff, who backed Orbison in his A Black & White Night concert, wrote about him, "Roy Orbison was like an opera singer. His voice melted out of his mouth into the stratosphere and back. He never seemed like he was trying to sing, he just did it."