Selected Television Work (TV-ography)
- Le Parc des Braves (The Park of the Brave) (1984–88; episode in 1987)
- Les enfants de la rue: Danny (Children of the Street: Danny) (1987)
- L'Héritage (The Inheritance) (1987–90; episode in 1987)
- L'amour avec un grand A (1985–95): Hélène et Alexis (1988)
- Lance et Compte (He Shoots, He Scores) (1986–89): Tous Pour Un (All for One --"téléfilm" based on the tv series)
- Le Grand Jour (The Big Day) (1988)
- La Maison Deschênes (The House of Deschênes) (1987-89: episode in 1989)
- Les Filles de Caleb (Caleb's Daughters) (1990–91)
- Scoop (1991–95)
- Emilie (1992)
- Blanche (1993)
- Dark Eyes (Pilot) (1994)
- Million Dollar Babies (1994) (1994)
- Urgence (Emergency Call: Hospital Code 66) (1995)
- Heritage Minutes (Minutes du patrimoine) : Louis Riel and Maurice "Rocket" Richard (1997)
- Les Beaux Dimanches (Beautiful Sundays): Maurice Richard: Histoire d'un Canadien. (1999)
- La Femme Nikita (1997–2001); dir. episode 506: "The Evil That Men Do" (2001)
- Le Dernier Chapitre (The Last Chapter) (2002)
- Le Dernier Chapitre: La Vengeance (The Last Chapter: II: The War Continues) (2003)
- Les Règles du jeu: Roy Dupuis (The Name of the Game: Roy Dupuis) (2005)
- Un monde sans pauvreté: Agissons! (A World without Poverty: Take Action!) (2005) Public-service voiceover (in collaboration with Pascale Montpetit) sponsored by the Québécois section of Make Poverty History (Abolissons La Pauvreté) on behalf of Global Call to Action Against Poverty
- Les Rescapés (2010)
Read more about this topic: Roy Dupuis
Famous quotes containing the words selected, television and/or work:
“She was so overcome by the splendor of his achievement that she took him into the closet and selected a choice apple and delivered it to him, along with an improving lecture upon the added value and flavor a treat took to itself when it came without sin through virtuous effort. And while she closed with a Scriptural flourish, he “hooked” a doughnut.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“Photographs may be more memorable than moving images because they are a neat slice of time, not a flow. Television is a stream of underselected images, each of which cancels its predecessor. Each still photograph is a privileged moment, turned into a slim object that one can keep and look at again.”
—Susan Sontag (b. 1933)
“Working women today are trying to achieve in the work world what men have achieved all along—but men have always had the help of a woman at home who took care of all the other details of living! Today the working woman is also that woman at home, and without support services in the workplace and a respect for the work women do within and outside the home, the attempt to do both is taking its toll—on women, on men, and on our children.”
—Jeanne Elium (20th century)