Selected Television Work (TV-ography)
- Le Parc des Braves (The Park of the Brave) (1984–88; episode in 1987)
- Les enfants de la rue: Danny (Children of the Street: Danny) (1987)
- L'Héritage (The Inheritance) (1987–90; episode in 1987)
- L'amour avec un grand A (1985–95): Hélène et Alexis (1988)
- Lance et Compte (He Shoots, He Scores) (1986–89): Tous Pour Un (All for One --"téléfilm" based on the tv series)
- Le Grand Jour (The Big Day) (1988)
- La Maison Deschênes (The House of Deschênes) (1987-89: episode in 1989)
- Les Filles de Caleb (Caleb's Daughters) (1990–91)
- Scoop (1991–95)
- Emilie (1992)
- Blanche (1993)
- Dark Eyes (Pilot) (1994)
- Million Dollar Babies (1994) (1994)
- Urgence (Emergency Call: Hospital Code 66) (1995)
- Heritage Minutes (Minutes du patrimoine) : Louis Riel and Maurice "Rocket" Richard (1997)
- Les Beaux Dimanches (Beautiful Sundays): Maurice Richard: Histoire d'un Canadien. (1999)
- La Femme Nikita (1997–2001); dir. episode 506: "The Evil That Men Do" (2001)
- Le Dernier Chapitre (The Last Chapter) (2002)
- Le Dernier Chapitre: La Vengeance (The Last Chapter: II: The War Continues) (2003)
- Les Règles du jeu: Roy Dupuis (The Name of the Game: Roy Dupuis) (2005)
- Un monde sans pauvreté: Agissons! (A World without Poverty: Take Action!) (2005) Public-service voiceover (in collaboration with Pascale Montpetit) sponsored by the Québécois section of Make Poverty History (Abolissons La Pauvreté) on behalf of Global Call to Action Against Poverty
- Les Rescapés (2010)
Read more about this topic: Roy Dupuis
Famous quotes containing the words selected, television and/or work:
“The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”
—Walter Bagehot (1826–1877)
“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it!—that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms—nothing more. A quick switch of the dial and they disappeared and who could lament the loss?”
—Joyce Carol Oates (b. 1938)
“Poetry, whose material is language, is perhaps the most human and least worldly of the arts, the one in which the end product remains closest to the thought that inspired it.... Of all things of thought, poetry is the closest to thought, and a poem is less a thing than any other work of art ...”
—Hannah Arendt (1906–1975)