Selected Stage Performances
- Les Deux Gentilshommes de Vérone (The Two Gentlemen of Verona), by William Shakespeare (1985)
- La Passion selon Pier Paolo Pasolini (The Passion According to Pier Paolo Pasolini), a play by René Kalinsky based on Teorema (1985)
- Harold et Maude (Harold and Maude), trans. and adapt. by Jean-Claude Carrière of the play by Colin Higgins (1986)
- Toupie Wildwood, by Pascale Rafie (1987)
- Au pied de la lettre (At the End of the Letter), by André Simard (1987)
- Fool for Love, by Sam Shepard, trans. Michèle Magny (1987)
- Le Chien (The Dog), by Jean-Marc Dalpé (1987–1989)
- Les Muses orphelines (The Orphan Muses), by Michel Marc Bouchard (1988)
- Roméo et Juliette (Romeo and Juliet), by William Shakespeare, trans. Jean-Louis Roux (1989)
- Un Oiseau vivant dans la gueule (A Live Bird in Its Jaws), by Jeanne-Mance Delisle (1990)
- True West, by Sam Shepard, trans. Pierre Legris (1994)
- Blasted, by Sarah Kane, trans. as Blasté by Jean-Marc Dalpé (2008)
Read more about this topic: Roy Dupuis
Famous quotes containing the words selected, stage and/or performances:
“The final flat of the hoe’s approval stamp
Is reserved for the bed of a few selected seed.”
—Robert Frost (1874–1963)
“I know that each stage is not going to last forever. I used to think that when he was little. Whenever he was in a bad stage I thought that he was going to be like that for the rest of his life and that I’d better do something to shape him up. When he was in a good state, I thought he was going to be a perfect child and I would never have to worry; he was always going to stay that way.”
—Anonymous Parent of An Eight-Year-Old. As quoted in Between Generations by Ellen Galinsky, ch. 4 (1981)
“This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
—Dorothy Parker (1893–1967)