Roy Dupuis - Selected Stage Performances

Selected Stage Performances

  • Les Deux Gentilshommes de Vérone (The Two Gentlemen of Verona), by William Shakespeare (1985)
  • La Passion selon Pier Paolo Pasolini (The Passion According to Pier Paolo Pasolini), a play by René Kalinsky based on Teorema (1985)
  • Harold et Maude (Harold and Maude), trans. and adapt. by Jean-Claude Carrière of the play by Colin Higgins (1986)
  • Toupie Wildwood, by Pascale Rafie (1987)
  • Au pied de la lettre (At the End of the Letter), by André Simard (1987)
  • Fool for Love, by Sam Shepard, trans. Michèle Magny (1987)
  • Le Chien (The Dog), by Jean-Marc Dalpé (1987–1989)
  • Les Muses orphelines (The Orphan Muses), by Michel Marc Bouchard (1988)
  • Roméo et Juliette (Romeo and Juliet), by William Shakespeare, trans. Jean-Louis Roux (1989)
  • Un Oiseau vivant dans la gueule (A Live Bird in Its Jaws), by Jeanne-Mance Delisle (1990)
  • True West, by Sam Shepard, trans. Pierre Legris (1994)
  • Blasted, by Sarah Kane, trans. as Blasté by Jean-Marc Dalpé (2008)

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Famous quotes containing the words selected, stage and/or performances:

    “The final flat of the hoe’s approval stamp
    Is reserved for the bed of a few selected seed.”
    —Robert Frost (1874–1963)

    “The spectacle of misery grew in its crushing volume. There seemed to be no end to the houses full of hunted starved children. Children with dysentery, children with scurvy, children at every stage of starvation.... We learned to know that the barometer of starvation was the number of children deserted in any community.”
    —Mary Heaton Vorse (1874–1966)

    “This play holds the season’s record [for early closing], thus far, with a run of four evening performances and one matinee. By an odd coincidence it ran just five performances too many.”
    —Dorothy Parker (1893–1967)