Selected Stage Performances
- Les Deux Gentilshommes de Vérone (The Two Gentlemen of Verona), by William Shakespeare (1985)
- La Passion selon Pier Paolo Pasolini (The Passion According to Pier Paolo Pasolini), a play by René Kalinsky based on Teorema (1985)
- Harold et Maude (Harold and Maude), trans. and adapt. by Jean-Claude Carrière of the play by Colin Higgins (1986)
- Toupie Wildwood, by Pascale Rafie (1987)
- Au pied de la lettre (At the End of the Letter), by André Simard (1987)
- Fool for Love, by Sam Shepard, trans. Michèle Magny (1987)
- Le Chien (The Dog), by Jean-Marc Dalpé (1987–1989)
- Les Muses orphelines (The Orphan Muses), by Michel Marc Bouchard (1988)
- Roméo et Juliette (Romeo and Juliet), by William Shakespeare, trans. Jean-Louis Roux (1989)
- Un Oiseau vivant dans la gueule (A Live Bird in Its Jaws), by Jeanne-Mance Delisle (1990)
- True West, by Sam Shepard, trans. Pierre Legris (1994)
- Blasted, by Sarah Kane, trans. as Blasté by Jean-Marc Dalpé (2008)
Read more about this topic: Roy Dupuis
Famous quotes containing the words selected, stage and/or performances:
“She was so overcome by the splendor of his achievement that she took him into the closet and selected a choice apple and delivered it to him, along with an improving lecture upon the added value and flavor a treat took to itself when it came without sin through virtuous effort. And while she closed with a Scriptural flourish, he “hooked” a doughnut.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“If any proof were needed of the progress of the cause for which I have worked, it is here tonight. The presence on the stage of these college women, and in the audience of all those college girls who will some day be the nation’s greatest strength, will tell their own story to the world.”
—Susan B. Anthony (1820–1906)
“At one of the later performances you asked why they called it a “miracle,”
Since nothing ever happened. That, of course, was the miracle
But you wanted to know why so much action took on so much life
And still managed to remain itself, aloof, smiling and courteous.”
—John Ashbery (b. 1927)