Selected Stage Performances
- Les Deux Gentilshommes de Vérone (The Two Gentlemen of Verona), by William Shakespeare (1985)
- La Passion selon Pier Paolo Pasolini (The Passion According to Pier Paolo Pasolini), a play by René Kalinsky based on Teorema (1985)
- Harold et Maude (Harold and Maude), trans. and adapt. by Jean-Claude Carrière of the play by Colin Higgins (1986)
- Toupie Wildwood, by Pascale Rafie (1987)
- Au pied de la lettre (At the End of the Letter), by André Simard (1987)
- Fool for Love, by Sam Shepard, trans. Michèle Magny (1987)
- Le Chien (The Dog), by Jean-Marc Dalpé (1987–1989)
- Les Muses orphelines (The Orphan Muses), by Michel Marc Bouchard (1988)
- Roméo et Juliette (Romeo and Juliet), by William Shakespeare, trans. Jean-Louis Roux (1989)
- Un Oiseau vivant dans la gueule (A Live Bird in Its Jaws), by Jeanne-Mance Delisle (1990)
- True West, by Sam Shepard, trans. Pierre Legris (1994)
- Blasted, by Sarah Kane, trans. as Blasté by Jean-Marc Dalpé (2008)
Read more about this topic: Roy Dupuis
Famous quotes containing the words selected, stage and/or performances:
“The final flat of the hoe’s approval stamp
Is reserved for the bed of a few selected seed.”
—Robert Frost (1874–1963)
“Imperialism is capitalism at that stage of development at which the dominance of monopolies and finance capitalism is established; in which the export of capital has acquired pronounced importance; in which the division of the world among the international trusts has begun, in which the division of all territories of the globe among the biggest capitalist powers has been completed.”
—Vladimir Ilyich Lenin (1870–1924)
“At one of the later performances you asked why they called it a “miracle,”
Since nothing ever happened. That, of course, was the miracle
But you wanted to know why so much action took on so much life
And still managed to remain itself, aloof, smiling and courteous.”
—John Ashbery (b. 1927)