Musical Direction and Production Numbers
The Musical Director for Laugh-In was Ian Bernard. Ian Bernard wrote the opening theme music, plus the infamous "What's the news across the nation" number. Ian Bernard also wrote all the cute musical "play-ons" that introduced comedy sketches like Lilly Tomlin's little girl character who sat in a giant rocking chair, and Arte Johnson's old man who always got hit with a purse. Ian Bernard also appeared in many of the cocktail scenes where he directed the band as they stopped and started between jokes. Composer-lyricist Billy Barnes, who wrote all of the original musical production numbers in the show. Barnes is the creator of the famous Billy Barnes Revues of the 1950s and 1960s, and composed such popular hits as "(Have I Stayed) Too Long at the Fair" recorded by Barbra Streisand and the jazz standard "Something Cool" recorded by June Christy.
Read more about this topic: Rowan & Martin's Laugh-In
Famous quotes containing the words musical, direction, production and/or numbers:
“Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, “You who are so fond of hawthorns, look at this pink thorn, isn’t it lovely?””
—Marcel Proust (1871–1922)
“The mountainous region of the State of Maine stretches from near the White Mountains, northeasterly one hundred and sixty miles, to the head of the Aroostook River, and is about sixty miles wide. The wild or unsettled portion is far more extensive. So that some hours only of travel in this direction will carry the curious to the verge of a primitive forest, more interesting, perhaps, on all accounts, than they would reach by going a thousand miles westward.”
—Henry David Thoreau (1817–1862)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“The principle of majority rule is the mildest form in which the force of numbers can be exercised. It is a pacific substitute for civil war in which the opposing armies are counted and the victory is awarded to the larger before any blood is shed. Except in the sacred tests of democracy and in the incantations of the orators, we hardly take the trouble to pretend that the rule of the majority is not at bottom a rule of force.”
—Walter Lippmann (1889–1974)