Career
Tonks worked for the BBC, writing stories and reviewing poetry for the BBC European Service. She published poems in collections and The Observer, the New Statesman, Transatlantic Review, London Magazine, Encounter and Poetry Review, she read on the BBC's "Third Programme". She also wrote "poetic novels".
Her work appears in many anthologies, including Anthology of Twentieth-Century British and Irish Poetry (ed. Keith Tuma), Oxford Book of Twentieth Century English Verse, British Poetry since 1945 and The Firebox: Poetry in Britain and Ireland after 1945 (ed. Sean O'Brien).
Tonks stopped publishing poetry in the early 1970s, at about the same time as her conversion to a form of Christianity. Nothing is known publicly about her subsequent life. As Andrew Motion wrote in 2004, she "Disappeared! What happened? Because I admire her poems, I've been trying to find out for years... no trace of her seems to survive - apart from the writing she left behind." The Anthology of Twentieth-Century British and Irish Poetry, which published three of Tonks' poems in 2001, states that permission to use her poems was obtained from a literary agency, Sheil Land Associates, Ltd. A BBC Radio 4 Documentary aired on March 29, 2009 stated that Tonks had disappeared from public view and now lives a hermetic existence, refusing telephone and personal calls from friends, family and the media.
Read more about this topic: Rosemary Tonks
Famous quotes containing the word career:
“John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.”
—Henry David Thoreau (1817–1862)
“My ambition in life: to become successful enough to resume my career as a neurasthenic.”
—Mason Cooley (b. 1927)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)