Early Career
Romy Schneider's first film, made when she was 15, was Wenn der weiße Flieder wieder blüht (When the White Lilacs Bloom Again) in 1953, credited as Romy Schneider-Albach. In 1954, Schneider for the first time portrayed a royal, playing a young Queen Victoria in the Austrian film Mädchenjahre einer Königin (known in the U.S. as The Story of Vickie and in Britain as Victoria in Dover). Schneider's breakthrough came with her portrayal of Empress Elisabeth of Austria, in the romantic biopic Sissi (1955) and its two sequels, Sissi – The Young Empress (1956) and Sissi – Fateful Years of an Empress (1957), all with Karlheinz Böhm, who became a close friend. Less stereotypical films during this busy period include Robinson soll nicht sterben (The Legend of Robinson Crusoe, 1957), working with a young Horst Buchholz, and Monpti (1957), directed by Helmut Käutner, again with Buchholz.
Schneider soon starred in Christine (1958), a remake of Max Ophüls's 1933 film Liebelei (itself based upon a play by Arthur Schnitzler and starring her mother Magda Schneider). It was during the filming of Christine that Schneider fell in love with French actor Alain Delon, who co-starred in the movie. She left Germany to join him in Paris and they announced their engagement in 1959.
Schneider decided to live and to work in France, slowly gaining the interest of film directors such as Orson Welles for The Trial (1962), based upon Franz Kafka's The Trial and was introduced by Delon to Luchino Visconti.
Under Visconti's direction, she gave performances in the Théâtre Moderne as Annabella (and Delon as Giovanni) in John Ford's stage play 'Tis Pity She's a Whore (1961) and in the film Boccaccio '70 (segment: "The Job"). In 1962 Schneider played Anna in Sacha Pitoëff's production of Chekhov's play The Seagull, also at the Théâtre Moderne. A brief stint in Hollywood included an appearance in Good Neighbor Sam (1964) a comedy with Jack Lemmon, while What's New Pussycat? (1965), although American financed, was shot in and around Paris. Schneider co-starred with Peter O'Toole, Peter Sellers and Woody Allen; the film was made from his first screenplay.
Schneider and Delon decided to split up in 1963 although they remained close lifelong friends. They continued to work together in such films as La Piscine (The Swimming Pool, 1968), which revitalized her career, and The Assassination of Trotsky (1972).
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