Magic in Romantic Fantasy
"Attitudes toward magic in Romantic Fantasy are usually very different from that expressed in most high fantasy or sword and sorcery. Rather than representing an alien and corrupting force that destroys its practitioners, or a complex, secretive body of folklore that isolates magicians from normal society via long study and seclusion, magic typically takes the form of innate abilities that are natural and simple to use, sometimes described as psychic talents like empathy or precognition, sometimes oriented towards affinity for or control of a particular natural element (such as the four classical Greek elements, fire, air, earth and water). Magic is thus presented in the narrative as an innate and positive part of someone's nature, and by extension a "natural" part of the world; fear of these abilities is often depicted as a reaction born of ignorance, poor guidance, or evil."
Read more about this topic: Romantic Fantasy
Famous quotes containing the words magic in, magic, romantic and/or fantasy:
“I revere the memory of Mr. F. as an estimable man and most indulgent husband, only necessary to mention Asparagus and it appeared or to hint at any little delicate thing to drink and it came like magic in a pint bottle; it was not ecstasy but it was comfort.”
—Charles Dickens (1812–1870)
“You never see animals going through the absurd and often horrible fooleries of magic and religion.... Dogs do not ritually urinate in the hope of persuading heaven to do the same and send down rain. Asses do not bray a liturgy to cloudless skies. Nor do cats attempt, by abstinence from cat’s meat, to wheedle the feline spirits into benevolence. Only man behaves with such gratuitous folly. It is the price he has to pay for being intelligent but not, as yet, quite intelligent enough.”
—Aldous Huxley (1894–1963)
“The Enlightenment needs more shadow; the Romantic Movement less.”
—Mason Cooley (b. 1927)
“Fantasy is a product of thought, Imagination of sensibility. If the thinking, discursive mind turns to speculation, the result is Fantasy; if, however, the sensitive, intuitive mind turns to speculation, the result is Imagination. Fantasy may be visionary, but it is cold and logical. Imagination is sensuous and instinctive. Both have form, but the form of Fantasy is analogous to Exposition, that of Imagination to Narrative.”
—Sir Herbert Read (1893–1968)