Romantic Fantasy - Common Plot Archetypes

Common Plot Archetypes

  1. A teenager, typically either from an overly strict or abusive family (or alternately from a family or a village that has been slain by bandits or monsters) runs away and discovers that she possess either magical or psychic powers and a glorious destiny. This destiny often involves saving a city, kingdom, or other large group from harm by a powerful villain or a dangerous monster.
  2. A somewhat older person, often a minor noble or someone who has recently lost a loved one and has left her previous home in search of a new life (this character is also frequently a magician or psychic) either overthrows an usurper or saves her kingdom from outside invasion. Such characters are rarely warriors, and normally uncover the plot through a combination of intrigue, luck, and use of their powers. In the course of this adventure, the character typically falls in love and, by the end of the novel or at least by the end of the series, her lover becomes her life-partner. The complexities of this romance form a significant focus in these novels.
  3. In a time of troubles, a group of adolescents or adults are drawn together through circumstance and destiny to form a group or organization that is larger than the sum of its parts. Generally, these young people are outcasts, orphans, or people on the fringes of society. Most or all of these people also possess some form of special powers. The groups' special powers sometimes form a complementary set, such as a group comprising four people each of whom has the ability to command one of the four classical elements. These characters eventually find friendship, community, and sometimes love with the others in their newly formed group. This group frequently ends up either overthrowing the current social order (often to restore it to the realm's previous idyllic state) or overcoming some threat that no one else is aware of or able to face.

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Famous quotes containing the words common, plot and/or archetypes:

    How shall we account for our pursuits, if they are original? We get the language with which to describe our various lives out of a common mint.
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    We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.
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    The horn, the hounds, the lank mares coursing by
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    Offering his unearthly ghost to quarry;
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