Romani Music

Romani music (often referred to as Gypsy or Gipsy music, which is considered a derogatory term) is the music of the Romani people, who have their origins in Northern India, but today live mostly in Europe.

Typically nomadic, the Romani people have long acted as wandering entertainers and tradesmen. In all the places Romanies live they have become known as musicians. The wide distances travelled have introduced a multitude of influences, starting with Indian roots and adding elements of Greek, Arabic, Persian, Turkish, Czech, Slavic, Romanian, German, French and Spanish musical forms.

Romani music characteristically has vocals that tend to be soulful and declamatory, and the music often incorporates prominent glissandi (slides) between notes. Instrumentation varies widely according to the region the music comes from.

There is a strong tradition of Romani music in Central and Eastern Europe, notably in countries such as Hungary, Romania and the former Yugoslavia. The quintessentially Spanish flamenco is to a very large extent the music (and dance, or indeed the culture) of the Romani people of Andalusia.

Apart from Romani music for local use, in Eastern Europe a separate Romani music originated for entertainment in restaurants and at parties and celebrations. This music drew its themes from Hungarian, Romanian, Russian and other sources of Romani origin, but was more sophisticated and became enormously popular in places like Budapest and Vienna. Later on it gained popularity in Western Europe, where many Romani orchestras were active, playing sophisticated melodies of East European origin.

Read more about Romani Music:  Original Romani Music, Country-related Music, Western Europe

Famous quotes containing the word music:

    In benevolent natures the impulse to pity is so sudden, that like instruments of music which obey the touch ... you would think the will was scarce concerned, and that the mind was altogether passive in the sympathy which her own goodness has excited. The truth is,—the soul is [so] ... wholly engrossed by the object of pity, that she does not ... take leisure to examine the principles upon which she acts.
    Laurence Sterne (1713–1768)