Origins
Romance languages are the continuation of Vulgar Latin, the popular sociolect of Latin spoken by soldiers, settlers and merchants of the Roman Empire, as distinguished from the Classical form of the language spoken by the Roman upper classes, the form in which the language was generally written. Between 350 BC and AD 150, the expansion of the Empire, together with its administrative and educational policies, made Latin the dominant native language in continental Western Europe. Latin also exerted a strong influence in southeastern Britain, the Roman province of Africa, and the Balkans north of the Jireček Line.
During the Empire's decline, and after its fragmentation and collapse in the fifth century, varieties of Latin began to diverge within each local area at an accelerated rate, and eventually evolved into a continuum of recognizably different typologies. The overseas empires established by Portugal, Spain and France from the fifteenth century onward spread their languages to the other continents, to such an extent that about two-thirds of all Romance speakers today live outside Europe.
Despite other influences (e.g. substratum from pre-Roman languages, especially Continental Celtic languages; and superstratum from later Germanic or Slavic invasions), the phonology, morphology, and lexicon of all Romance languages are overwhelmingly evolved forms of Vulgar Latin. However, there are some notable differences between today's Romance languages and their Roman ancestor. With only one or two exceptions, Romance languages have lost the declension system of Latin and, as a result, have SVO sentence structure and make extensive use of prepositions.
Read more about this topic: Romance Languages
Famous quotes containing the word origins:
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (1887–1962)
“The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?””
—Katharine Hamnett (b. 1948)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)