Works
The fragment of London National Gallery The Magdalen Reading has been described by Campbell as "one of the great masterpieces of fifteenth-century art and among Rogier's most important early works". Since the 1970s, this painting has been linked to two small heads in the collection of the Calouste Gulbenkian Museum (Lisbon), of Saint Catherine and of St Joseph. It is now widely believed that these three fragments came from the same large altarpiece depicting the 'Virgin and Child with Saints', partly recorded in a later drawing now in Stockholm. At some unknown date before 1811, this altarpiece was carved up into these three fragments.
Rogier's most famous paintings, which survived until the 17th century, were four large panels representing the Justice of Trajan and Justice of Herkenbald. These were commissioned by the City of Brussels for the Gulden Camere (Golden Chamber) of the Brussels Town Hall. The first and third panels were signed, and the first dated 1439. All four were finished before 1450. They were destroyed in the French Bombardment of Brussels in 1695, but are known from many surviving descriptions, from a free partial copy in tapestry (Bern, Historisches Museum) and from other free and partial copies in drawing and painting. The paintings probably measured ca. 4.5 m each, which was an enormous scale for a painting on panel at that time. They served as 'examples of justice' for the aldermen of the city who had to speak justice in this room. The paintings were praised or described by a series of commentators until their destruction, including Dürer (1520), Vasari (1568), Molanus (c.1570–1580), and Baldinucci (1688).
In his commissioned portraits, van der Weyden typically flattered his sitters. He often idealised or softened their facial features, allowing them a handsomeness or beauty, or interest or intelligence they might not have been blessed with in life. He often enlargened the eyes, better defined the contours of the face, and gave a much stronger jaw than the subject may have possessed in life.
Read more about this topic: Rogier Van Der Weyden
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“Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
—Raymond Williams (19211988)
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“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)