Career
In the 1900s, Fry started to teach art history at the Slade School of Fine Art, University College London.
In 1903 Fry was involved in the foundation of The Burlington Magazine, the first scholarly periodical dedicated to art history in Britain. Fry was its co-editor between 1909 and 1919 (first with Lionel Cust, then with Cust and More Adey) but his influence on The Burlington Magazine continued until his death: Fry was in the Consultative Committee of The Burlington since its beginnings and when he left the editorship, following a dispute with Cust and Adey regarding the editorial policy on modern art, he was able to use his influence on the Committee to choose the successor he considered appropriate, Robert Rattray Tatlock. Fry wrote for The Burlington from 1903 until his death: he published over two hundred pieces of eclectic subjects - from Children's drawings to Bushman art. From the pages of The Burlington it is also possible to follow Fry's growing interests for Post-Impressionism.
In 1906 Fry was appointed Curator of Paintings at the Metropolitan Museum of Art in New York. This was also the year in which he "discovered" the art of Paul Cézanne, also the year the artist died, beginning the shift in his scholarly interests away from the Italian Old Masters and towards modern French art.
In November 1910, Fry organised the exhibition Manet and the Post-Impressionists (a term which he coined) at the Grafton Galleries, London. This exhibition was the first to prominently feature Gaugin, Manet, Matisse, and Van Gogh in England and brought their art to the public. Virginia Woolf later said, "On or about December 1910 human character changed," referring to the effect this exhibit had on the world. Fry followed it up with the Second Post-Impressionist Exhibition in 1912. It was patronised by Lady Ottoline Morrell, with whom Fry had a fleeting romantic attachment.
In 1913 he founded the Omega Workshops, a design workshop based in London's Fitzroy Square, whose members included Vanessa Bell and Duncan Grant. In 1933, he was appointed the Slade Professor at Cambridge, a position that Fry had much desired.
A Blue plaque was unveiled in Fitzroy Square on 20 May 2010.
Read more about this topic: Roger Fry
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