Roger Corman - Career

Career

Corman began to direct films in the mid-1950s, including Swamp Women (1955). In his early period, he produced up to nine movies a year. His fastest film was perhaps The Little Shop of Horrors (1960), which was reputedly shot in two days and one night. Supposedly, he had made a bet that he could shoot an entire feature film in less than three days. Another version of the story claims that he had a set rented for a month, and finished using it with three days to spare, thus pushing him to use the set to make a new film. (This is a variation of the story behind 1963's The Terror, much of which was filmed in two leftover days with Boris Karloff and Jack Nicholson, after The Raven, which featured them both, wrapped with two days to spare.)

In addition to producing and directing films for American International Pictures (AIP), Corman also partially funded other low budget films released by other film companies. In 1959 Corman founded Filmgroup with his brother Gene, a company producing or releasing low budget black and white films as double features for driven-ins and action houses. Finding that black and white double features were not as successful as colour films, Corman returned to AIP, and Filmgroup ceased operation in 1962.

Read more about this topic:  Roger Corman

Famous quotes containing the word career:

    Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.
    Ann Oakley (b. 1944)

    Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.
    Letty Cottin Pogrebin (20th century)

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)