Style
Powerfully built, Marsh was regarded as an all rounder for the majority of his career. Coupled with his short stature, his power suited him to the task of keeping wicket. Despite his bulk, which forced him to work heavily on reducing his weight in his early career, he had fast feet movement, combined with fast anticipation and reflexes which allowed him to cover more ground. He raised the role of wicketkeeper to a more prominent status in a team with his acrobatic diving, raucous appeals and habit of throwing a ball high into the air upon completing a dismissal. As the wicketkeeper, he made himself the focal point in the field and attempted to extract higher standards of concentration from both himself and his team-mates. Speaking of his understanding with Lillee, he said “"I've played with him so much now that most of the time I know what he is going to do before he has bowled" Marsh said, "I know from the way he runs up; the angle, the speed, where he hits the crease, where the ball is going to be.”
At state level, Marsh was a noted captain, leading the state to a Sheffield Shield and Gillette Cup double in both forms of the game in 1976–77. He had nine wins and seven losses in 20 Shield matches as captaincy, and seven from nine matches in the limited overs competition.
Marsh was an effective player in ODI matches, contributing as a keeper and a lower order batsmen. His power and aggression was put to good use in the closing overs, when he could score at a rapid rate. In one match against New Zealand in 1980–81, he struck 26 from the final over, with three sixes and two fours, before falling on the final ball.
Read more about this topic: Rod Marsh
Famous quotes containing the word style:
“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.”
—Paul Goodman (1911–1972)
“As the style of Faulkner grew out of his rage—out of the impotence of his rage—the style of Hemingway grew out of the depth and nuance of his disenchantment.”
—Wright Morris (b. 1910)
“The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.”
—Raymond Chandler (1888–1959)