Biography
Rockin' Sidney was a long-time zydeco musician who played almost every style of music, from Caribbean beats to blues. His credits included "No Good Woman", "You Ain't Nothing But Fine", "Tell Me", and his biggest hit, "My Toot Toot", which became a worldwide hit.
Simien was born into a sharecropper's family in the tiny farming community of Lebeau, St. Landry Parish, Louisiana. Sidney took up the guitar at an early age. He started his musical career at age 14 or 15 playing harmonica and guitar. His first gig was as backup for his uncle Frank Simien. By Sidney's late teens, he was leading his own band as Sidney Simien and His All Stars, which included several members of his family. In 1957, at the age of 18, he recorded his first side, "Make Me Understand," on the short-lived Carl label. "No Good Woman" became a small hit in Louisiana in 1962, while the flip side, "You Ain't Nothing But Fine" brought him his first national attention as a songwriter. The Fabulous Thunderbirds recorded the song on their debut album. After that, Sidney recorded "She's My Morning Coffee" / "Calling You" on the Jin label.
Although his real success came from zydeco, Sidney did not start out playing the accordion or Cajun music. Heavily influenced by local musicians such as Slim Harpo and Cookie & The Cupcakes, Sidney made R&B-styled recordings briefly on the Louisiana record label, Fame, during the late 1950s. He was often backed by George Lewis on harmonica and Katie Webster on piano. Floyd Soileau's Jin Records label released nine Rockin' Sidney singles between 1957–1964. Sidney also recorded on Rod Records. In 1963 his single "No Good Woman" on the Ville Platte label sold well in South Louisiana and East Texas and was well received by music critics, but just missed the national Top 100.
In 1965, he and his band The Dukes signed with Eddie Shuler's Louisiana-based Goldband Records. He took to wearing a turban and was known as "Count Rockin' Sidney". During this period he cut well over a dozen R&B, soul, and blues singles such as "Something Working Baby" and "Soul Christmas", without much success. Between the mid-1960s and the late 1970s, Sidney cut well over 50 singles for the Louisiana-based Goldband label, working in a variety of contemporary blues, soul and R&B modes; none proved successful.
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