Rock Shelter

A rock shelter (also known as a rockhouse, crepuscular cave, or abri) is a shallow cave-like opening at the base of a bluff or cliff.

Rock shelters form because a rock stratum such as sandstone that is resistant to erosion and weathering has formed a cliff or bluff, but a softer stratum, more subject to erosion and weathering, lies just below the resistant stratum, and thus undercuts the cliff.

Many rock shelters are found under waterfalls.

Rock shelters are often important archaeologically. Because rock shelters form natural shelters from the weather, prehistoric humans often used them as living-places, and left behind debris, tools, and other artifacts. In mountainous areas the shelters can also be important for mountaineers. In western Connecticut and eastern New York, many rock shelters are known by the colloquialism "leatherman caves", as they were inhabited by the Leatherman over three decades in the late 19th century.

In arid areas, wind erosion (eolian erosion) can be an important factor in rockhouse formation. In most humid areas, the most important factor in rockhouse formation is frost spalling, where the softer, more porous rock underneath is pushed off, tiny pieces at a time, by frost expansion from water frozen in the pores. Erosion from moving water is seldom a significant factor.

The Cumberland stitchwort (Minuartia cumberlandensis) is an endangered species of plant which is found only in rock shelters in Kentucky and Tennessee.

  • Rock shelter formation types
  • By frost weathering

  • By cutting a karst gallery

  • By river erosion

Famous quotes containing the words rock and/or shelter:

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    A “just war” is hospitable to every self-deception on the part of those waging it, none more than the certainty of virtue, under whose shelter every abomination can be committed with a clear conscience.
    Alexander Cockburn (b. 1941)