Early Stages of Domestication
Several antelopes and cattle carry signs of human appropriation, especially collars. But it is above all about thirty representations of rams which belong rather to the world of shepherds than of hunters, stretching "through a long period going all the way forward to an advanced stage of domestication" (p. 97). Eight among them are rams with spheroids, of which five are associated with human figures (Aïn Naga, Daïet es Stel, Oued el Hesbaïa, Saouiet).
It is in this group that some of the most famous masterpieces of the region are found, such as the Ram of Aïn Naga, about twice natural size, found by Father F. de Villaret and published by the Djelfa Syndicate of Initiative. The animal, which wears a spheroid framed by feathers, a cheek pendant and a collar with chevrons, is led by a man dressed in a loin-cloth with buttons, wearing bracelets, whose hair-do falls across the nape of his neck in three swathes.
Of the other ovines (sc. sheep), sometimes wearing collars, show their horns enclosed in a ring or by discs (only four depictions show only a collar, or appear without attributes). At Hadjra Sidi Boubakeur a group composed of a ram, a ewe and a large bull denotes "a well established domestication" (p. 106). Other rams can be seen at Khenneg Hilal, Oued el Hesbaïa, Safiet bou Khenan, Theniet el Mzab, Hadjra Mokhotma and Aïn Naga.
The rock art of the Djelfa region shows large naturalistic cattle (Zaccar) and sub-naturalistic ones (Bou Sekkin), the others being of the pastoral era. Their horns are similarly closed into a ring and they sometimes wear devices in segments of a circle, or of textile, which are perhaps means of carrying things (Hadjra Sidi Boubakeur, Teniet el Mzab, Hadjra Mohkotma, Ben Hadid, Bou Sekkin, Safiet bou Khenan and Oued Mergueb).
The "pastoral scenes" often associating men and animals are found at Hadjra Sidi Boubakeur, Hadjra Mohkotma sud, Aïn Mouilha (men with "bandes molletières"), ]Morhoma, Daïet es Stel and Zaccar. Other humanly-signifying depictions, ithyphallic images and women displaying, are found at Safiet bou Khenan, Theniet bou Mediouna II and Daïet el Hamra.
At Theniet el Mzab there is also found the famous engraving of a man with three-segmented hair style and square shirt-front, and at Aïn Naga that of the "timid lovers" in which the man carries an object like a haricot, shield or quiver surmounted by arrows, (as in south Oran at Khreloua), a hairdo or a headpiece with a tuft of hair falling forwards and with three swathes falling over the neck (a detail which one sees again at Aïn Naga and in south Oran) while the woman shows a carefully maintained hair arrangement, held behind with a clip.
One also finds among the engravings of the Djelfa region hounds and horses of various dates.
In addition three sites with rock paintings are located at Djebel Doum, at Zaccar south (several archers, a possibly human figure and tortoises) and at Hadjra Mokhotma sud.
In 1968 elements of a lithic industry belonging to the Capsian have been found in situ by D. Grébénart at Aïn Naga and dated to 5500 B.C., plus or minus 220.
Read more about this topic: Rock Art Of The Djelfa Region
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