Early Life and Career
Stephens was born in Shirehampton, Bristol, England, and rose to become one of the most respected actors of his generation. By the 1960s he was regarded as the natural successor to Laurence Olivier.
In 1949, Stephens won a scholarship to Esme Church's Bradford Civic Theatre School, Yorkshire, (where he met his first wife Nora, a fellow student). His first professional engagement was with the Caryl Jenner Mobile Theatre, which he followed in 1951 by a year of more challenging parts in repertory at the Royalty Theatre, Morecambe, followed by seasons of touring and at the Hippodrome, Preston. The London director Tony Richardson saw a performance at the Royalty and this led to an offer of a place in the "momentous" first season of English Stage Company at the Royal Court in 1956. His success was assured.
His other films in this period included a minor role as Prince Escalus in Franco Zeffirelli's Romeo and Juliet (1968), as well as a starring role in Billy Wilder's The Private Life of Sherlock Holmes (1970) and the science fiction film, The Asphyx (1973). Stephens and his third wife, actress Maggie Smith, appeared together on stage and in film, notably in The Recruiting Officer at the Old Vic and the film version of The Prime of Miss Jean Brodie in 1969. However, following his departure from the National Theatre in 1970 and the break up of their marriage in 1973 he suffered a career slump, not helped by heavy drinking and a breakdown.
Although he continued to work on stage (notably in the National Theatre's The Mysteries in 1986), film (The Fruit Machine in 1988, aka Wonderland in the USA and Henry V), and television (notably in the role of Abner Brown in the 1984 BBC TV dramatisation of the children's classic The Box of Delights and as the Master of an Oxford college in an episode of Inspector Morse), it was not until the 1990s that he re-established himself at the forefront of his profession, when the Royal Shakespeare Company invited him to play Falstaff in Henry IV for director Adrian Noble (opening April 1991), the title roles in Julius Caesar (director Stephen Pimlott) later in the year and then King Lear, again for Noble, in May 1993. He was awarded the Laurence Olivier Theatre Award in 1993 for Best Actor, for his performance as Falstaff.
Stephens provided the voice of Aragorn in the 1981 BBC Radio serialisation of The Lord of the Rings.
Read more about this topic: Robert Stephens
Famous quotes containing the words early, life and/or career:
“All of Western tradition, from the late bloom of the British Empire right through the early doom of Vietnam, dictates that you do something spectacular and irreversible whenever you find yourself in or whenever you impose yourself upon a wholly unfamiliar situation belonging to somebody else. Frequently it’s your soul or your honor or your manhood, or democracy itself, at stake.”
—June Jordan (b. 1939)
“Young, and so thin, and so straight.
So straight! as if nothing could ever bend her.
But poor men would bend her, and doing things with poor men,
Being much in bed, and babies would bend her over,
And the rest of things in life that were for poor women,
Coming to them grinning and pretty with intent to bend and to kill.”
—Gwendolyn Brooks (b. 1917)
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)