Songwriting Styles
Smith's songwriting has developed a range of styles and themes throughout his career. Some songs incorporate literary paraphrase, such as Camus' novel L'Etranger in "Killing an Arab" (1978)), and "How Beautiful You Are" (1987), based on a poem by Baudelaire. Others involve punk metafiction ("So What"), surrealism ("Accuracy"), straightforward rock/pop ("Boys Don't Cry", "I'm Cold"), and poetic mood pieces ("Another Day" and "Fire in Cairo"). In subsequent decades, Smith explored more poetic moods, which accorded with New Order and other bands of that genre.
Smith's songwriting has sometimes been pop-oriented, for example "Love Cats" and "Catch". However, even Smith's seemingly upbeat tunes invariably contain dark themes; for example, "In Between Days" contrasts a bouncy pop-rock beat with lyrics about sadness and heartbreak.
Although Smith is the main songwriter with the Cure, songwriting credits are usually shared with the band's contemporary line-up.
In an interview in 2000, Smith said that "there is one particular kind of music, an atmospheric type of music, that I enjoy making with The Cure. I enjoy it a lot more than any other kind of sound". When Smith was asked about the 'sound' of his songwriting, Smith said that he did not "think there is such a thing as a typical Cure sound. I think there are various Cure sounds from different periods and different line-ups."
Read more about this topic: Robert Smith (musician)
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