Robert Rossen - Works

Works

Release Title Type Production company Writer Director Producer
1932 Steel Play – – Y –
1932 The Tree Play – – Y –
1933 Birthright Play – – Y –
1935 The Body Beautiful Play – Y Y –
1937 – April Marked Woman Film Warner Bros. Y co-wrote n n
1937 – October They Won't Forget Film Warner Bros. Y n n
1938 Racket Busters Film Warner Bros. Y n n
1939 – September Dust Be My Destiny Film Warner Bros. Y co-wrote n n
1939 – October The Roaring Twenties Film Warner Bros. Y co-wrote n n
1940 A Child Is Born Film Warner Bros. Y n n
1941 – March The Sea Wolf Film Warner Bros. Y co-wrote n n
1941 – June Out of the Fog Film Warner Bros. Y n n
1941 – Nov Blues in the Night Film Warner Bros. Y co-wrote n n
1945 – December A Walk in the Sun Film Lewis Milestone Productions Y n n
1946 – July The Strange Love of Martha Ivers Film Hal Wallis Productions Y n n
1947 – March Johnny O'Clock Film J. E. M. Productions Y Y n
1947 – August Desert Fury Film Hal Wallis Productions Y n n
1947 – November Body and Soul Film Enterprise Studios n Y n
1949 – April The Undercover Man Film Robert Rossen n n Y
1949 – November All the King's Men Film Columbia Pictures Corporation Y Y Y
1951 The Brave Bulls Film Rossen Enterprises n Y Y
1954 Mambo Film Produzione Ponti-De Laurentiis Y Y n
1956 Alexander the Great Film Rossen Films, S.A. C.B. Films Y Y Y
1957 Island in the Sun Film Darryl F. Zanuck Productions n Y n
1959 They Came to Cordura Film Goetz Pictures, Inc.; Baroda Productions, Inc. Y Y n
1960 The Cool World Play – Y co-wrote n n
1961 The Hustler Film Rossen Enterprises Company Y co-wrote with Sidney Carroll Y Y
1964 Lilith Film Centaur Enterprises Y Y Y

Read more about this topic:  Robert Rossen

Famous quotes containing the word works:

    “Evil is something you recognise immediately you see it: it works through charm.”
    —Brian Masters (b. 1939)

    “I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
    —George Bernard Shaw (1856–1950)

    “I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?”
    —James Thomson (1700–1748)