Robert Greenwald - Television and Feature Film Career

Television and Feature Film Career

Greenwald then moved to Los Angeles, where he launched a career as a director for television. In 1977, he received his first of three Emmy Award nominations for producing the television movie 21 Hours at Munich about the massacre at the 1972 Olympics. His next Emmy nomination came in 1984 for directing The Burning Bed. During this period he produced or directed many television movies; The New York Times would later characterize this work as "commercially respectable B-list movies". Later, Greenwald would foray into film directing, including films such as Xanadu (1980), Breaking Up (1997) and Steal This Movie! (2000).

Read more about this topic:  Robert Greenwald

Famous quotes containing the words television, feature, film and/or career:

    Laughter on American television has taken the place of the chorus in Greek tragedy.... In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.
    Jean Baudrillard (b. 1929)

    When delicate and feeling souls are separated, there is not a feature in the sky, not a movement of the elements, not an aspiration of the breeze, but hints some cause for a lover’s apprehension.
    Richard Brinsley Sheridan (1751–1816)

    All the old supports going, gone, this man reaches out a hand to steady himself on a ledge of rough brick that is warm in the sun: his hand feeds him messages of solidity, but his mind messages of destruction, for this breathing substance, made of earth, will be a dance of atoms, he knows it, his intelligence tells him so: there will soon be war, he is in the middle of war, where he stands will be a waste, mounds of rubble, and this solid earthy substance will be a film of dust on ruins.
    Doris Lessing (b. 1919)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)