Robert Greene (dramatist) - Works

Works

Plays:

  • Friar Bacon and Friar Bungay (circa 1590)
  • The History of Orlando Furioso (circa 1590)
  • A Looking Glass for London and England (with Thomas Lodge) (circa 1590)
  • The Scottish History of James the Fourth (circa 1590)
  • The Comical History of Alphonsus, King of Aragon (circa 1590)
  • Selimus, Emperor of the Turks (1594)

Other works:

  • Mamillia(pt. 1) (circa 1580)
  • Mamillia: The Triumph of Pallas(pt. 2)(1583)
  • The Myrrour of Modestie (1584)
  • The History of Arbasto, King of Denmarke (1584)
  • Gwydonius (1584)
  • Morando, the Tritameron of Love (1584)
  • Planetomachia (1585)
  • Morando, the Tritameron of Love (pt. 2)(1586)
  • Euphues: His Censure to Philautus (1587)
  • Greene's Farewell to Folly (circa 1587)
  • Penelope’s Web (1587)
  • Alcida (1588)
  • Greenes Orpharion (1588)
  • Pandosto (1588)
  • Perimedes (1588)
  • Ciceronis Amor (1589)
  • Menaphon (1589)
  • The Spanish Masquerado (1589)
  • Greene's Mourning Garment (1590)
  • Greene's Never Too Late (pts. 1&2)(1590)
  • Greene's Vision (1590)
  • The Royal Exchange* (1590)
  • A Notable Discovery of Coosnage (1591)
  • The Second Part of Conycatching (1591)
  • The Black Books Messenger (1592)
  • A Disputation Between a Hee Conny-Catcher and a Shee Conny-Catcher (1592)
  • A Groatsworth of Wit Bought with a Million of Repentance (1592)
  • Philomela (1592)
  • A Quip for an Upstart Courtier (1592)
  • The Third and Last Part of Conycatching (1592)

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    “Reason, the prized reality, the Law, is apprehended, now and then, for a serene and profound moment, amidst the hubbub of cares and works which have no direct bearing on it;Mis then lost, for months or years, and again found, for an interval, to be lost again. If we compute it in time, we may, in fifty years, have half a dozen reasonable hours.”
    —Ralph Waldo Emerson (1803–1882)

    “His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
    —Henry David Thoreau (1817–1862)

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    —Jean Genet (1910–1986)