Robert Greene (dramatist) - Works

Works

Plays:

  • Friar Bacon and Friar Bungay (circa 1590)
  • The History of Orlando Furioso (circa 1590)
  • A Looking Glass for London and England (with Thomas Lodge) (circa 1590)
  • The Scottish History of James the Fourth (circa 1590)
  • The Comical History of Alphonsus, King of Aragon (circa 1590)
  • Selimus, Emperor of the Turks (1594)

Other works:

  • Mamillia(pt. 1) (circa 1580)
  • Mamillia: The Triumph of Pallas(pt. 2)(1583)
  • The Myrrour of Modestie (1584)
  • The History of Arbasto, King of Denmarke (1584)
  • Gwydonius (1584)
  • Morando, the Tritameron of Love (1584)
  • Planetomachia (1585)
  • Morando, the Tritameron of Love (pt. 2)(1586)
  • Euphues: His Censure to Philautus (1587)
  • Greene's Farewell to Folly (circa 1587)
  • Penelope’s Web (1587)
  • Alcida (1588)
  • Greenes Orpharion (1588)
  • Pandosto (1588)
  • Perimedes (1588)
  • Ciceronis Amor (1589)
  • Menaphon (1589)
  • The Spanish Masquerado (1589)
  • Greene's Mourning Garment (1590)
  • Greene's Never Too Late (pts. 1&2)(1590)
  • Greene's Vision (1590)
  • The Royal Exchange* (1590)
  • A Notable Discovery of Coosnage (1591)
  • The Second Part of Conycatching (1591)
  • The Black Books Messenger (1592)
  • A Disputation Between a Hee Conny-Catcher and a Shee Conny-Catcher (1592)
  • A Groatsworth of Wit Bought with a Million of Repentance (1592)
  • Philomela (1592)
  • A Quip for an Upstart Courtier (1592)
  • The Third and Last Part of Conycatching (1592)

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Famous quotes containing the word works:

    “Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
    —Rebecca West (1892–1983)

    “My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
    —Hannah More (1745–1833)

    “My first childish doubt as to whether God could really be a good Protestant was suggested by my observation of the deplorable fact that the best voices available for combination with my mother’s in the works of the great composers had been unaccountably vouchsafed to Roman Catholics.”
    —George Bernard Shaw (1856–1950)