Cosmology and Other Works
Fludd's philosophy is presented in Utriusque Cosmi, Maioris scilicet et Minoris, metaphysica, physica, atque technica Historia (The metaphysical, physical, and technical history of the two worlds, namely the greater and the lesser, published in Germany between 1617 and 1621); according to Frances Yates, his memory system (which she describes in detail in The Art of Memory, pp. 321–341) may reflect the layout of Shakespeare's Globe Theatre (The Art of Memory, Chapter XVI).
In 1618, Fludd wrote De Musica Mundana (Mundane Music) which described his theories of music, including his mundane (also known as "divine" or "celestial") monochord.
In 1630, Fludd proposed many perpetual motion machines. People were trying to patent variations of Fludd's machine in the 1870s. Fludd's machine worked by recirculation by means of a water wheel and Archimedean screw. The device pumps the water back into its own supply tank.
His main works are:
- Utriusque Cosmi … metaphysica, physica atque technica Historia, &c., Oppenheim and Frankfort, 1617–24. (It has two dedications, first to the Deity, secondly to James I, and copperplates; it was to have been in two volumes, the first containing two treatises, the second three; it was completed as far as the first section of the second treatise of the second volume.)
- Philosophia Sacra et vere Christiana, &c., Frankfort, 1626; dedicated to John Williams.
- Medicina Catholica, &c., Frankfort, 1629–31, in five parts; the plan included a second volume, not published.
Posthumous were:
- Philosophia Moysaica, &c., Gouda, 1638; an edition in English, Mosaicall Philosophy, &c., London, 1659.
- Religio Exculpata, &c., 1684 (Autore Alitophilo Religionis fluctibus dudum immerso, tandem … emerso; preface signed J. N. J.; assigned to Fludd).
- Tractatus de Geomantia, &c. (four books), included in Fasciculus Geomanticus, &c., Verona, 1687.
An unpublished manuscript, copied by an amanuensis, and headed Declaratio breuis, &c., is in the Royal manuscripts, British Library, 12 C. ii. Fludd's Opera consist of his folios, not reprinted, but collected and arranged in six volumes in 1638; appended is a Clavis Philosophiæ et Alchimiæ Fluddanæ, Frankfort, 1633.
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“His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
—Henry David Thoreau (18171862)