Writing
Craft collaborated with Stravinsky on a series of books that covered various musical and non-musical subjects: Conversations with Igor Stravinsky (N.Y., 1959); Memories and Commentaries (N.Y., 1960); Expositions and Developments (N.Y., 1962); Dialogues and a Diary (N.Y., 1963); Themes and Episodes (N.Y., 1967); Retrospectives and Conclusions (N.Y., 1969). They include transcribed conversations between the two men, interviews culled from various published sources, essays, diary entries, and the like, all with the professed aim of presenting Stravinsky's views on music and culture. There has been a great deal of controversy as to whether or not the books actually reflect Stravinsky's ideas; many feel that Craft's influence on the material is so strong as to make it impossible to determine how much of the material truly represents Stravinsky's views.
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Famous quotes containing the word writing:
“When, said Mr. Phillips, he communicated to a New Bedford audience, the other day, his purpose of writing his life, and telling his name, and the name of his master, and the place he ran from, the murmur ran round the room, and was anxiously whispered by the sons of the Pilgrims, “He had better not!” and it was echoed under the shadow of the Concord monument, “He had better not!””
—Henry David Thoreau (1817–1862)
“There is nothing on earth more exquisite than a bonny book, with well-placed columns of rich black writing in beautiful borders, and illuminated pictures cunningly inset. But nowadays, instead of looking at books, people read them. A book might as well be one of those orders for bacon and bran.”
—George Bernard Shaw (1856–1950)
“In the learned journal, in the influential newspaper, I discern no form; only some irresponsible shadow; oftener some monied corporation, or some dangler, who hopes, in the mask and robes of his paragraph, to pass for somebody. But through every clause and part of speech of the right book I meet the eyes of the most determined men; his force and terror inundate every word: the commas and dashes are alive; so that the writing is athletic and nimble,—can go far and live long.”
—Ralph Waldo Emerson (1803–1882)