The 1960s: Hollywood and Screenwriting
Following his move to Hollywood, around 1960, Bloch had multiple assignments from various television companies. However, he was not allowed to write for five months when the Writers Guild had a strike. After the strike was over, he became a much used scriptwriter in television and film projects in the mystery, suspense, and horror genre. His first assignments were for the Macdonald Carey vehicle, Lock-Up, (penning five episodes) as well as one for Whispering Smith, and an original screenplay for the 1962 film The Couch. Further TV work included an episode of Bus Stop, 10 episodes of Thriller (1960–62, several based on his own stories), and 10 episodes of Alfred Hitchcock Presents (1960–62). In 1962, he wrote the screenplay for The Cabinet of Caligari (1962), an unhappy experience (see Films section below).
In 1962, Bloch penned the story and teleplay "The Sorcerer's Apprentice" for Alfred Hitchcock Presents. The episode was shelved when the NBC Television Network and sponsor Revlon called its ending "too gruesome" (by 1960s standards) for airing. Bloch was pleased later when the episode was included in the program's syndication package to affiliate stations where not one complaint was registered. Today, due to public domain status, the episode is readily available in home media formats from numerous distributors and is even available on free video on demand. For details of Bloch's scripts for Hitchcock shows see
His TV work did not slow Bloch's fictional output. In the early 1960s he published several novels, including The Dead Beat (1960), and Firebug (1961) (for which Harlan Ellison, then an editor at Regency Books, contributed the first 1200 words). In 1962 his novels The Couch (1962) (the basis for the screenplay of his first movie, filmed the same year) and Terror (originally titled Kill for Kali) were published.
Bloch wrote original screenplays for two movies produced and directed by William Castle, Strait-Jacket (1964) and The Night Walker (1964), along with The Skull (1965). The latter film was based on his short story "The Skull of the Marquis de Sade".
Read more about this topic: Robert Bloch
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“Just like those other black holes from outer space, Hollywood is postmodern to this extent: it has no center, only a spreading dead zone of exhaustion, inertia, and brilliant decay.”
—Arthur Kroker (b. 1945)