Ashley, Space Theater, and ONCE
The Space Theater was a loft specially designed and outfitted for performances with projected images and music. It served as the venue for semiweekly multimedia performances from 1957 to 1964; its creators asked Gordon Mumma and Ashley to produce live electronic music for the productions. The performances included music produced by things such as the "rubbing together of stones" and steel rings thrown along wires.
During their cooperation in Space Theater, Ashley created the Cooperative Studio for Electronic Music in 1958 with Mumma, whom he had originally met in his graduate composition seminars. The studio consisted of little more than spare rooms in each of their houses, where they kept their equipment. Ashley and Mumma were "serious tinkers in electronics," working before synthesizers and electronic musical instruments were commercially available. They invented and built much of their own equipment with materials from Radio Shack. They were two of the earliest composers to work in live generation of music with amplified small sounds.
The success of Space Theater led to the creation of the ONCE festival, a contemporary performing arts event that served as a forum for experimental art and music. Ashley was the director. Other musician participants included Roger Reynolds, George Cacioppo, Bruce Wise, and Donald Scarvada. Other collaborating artists were Harold Borkin and Joseph Wehrer, architects; George Manupelli, filmmaker; and Mary Ashley and Milton Cohen, painter-sculptors. There were six ONCE festivals between 1961 and 1965. They were considered "far-out" and controversial, and experienced both support and antagonism from the surrounding community in Ann Arbor. The festivals invited European and jazz composers to participate, and were a major influence on contemporary music of the time.
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