Career
Reiner began his career writing for the Smothers Brothers Comedy Hour in 1968 and 1969. A few years later, Reiner became famous playing Michael Stivic, Archie Bunker's liberal son-in-law, on Norman Lear's 1970s sitcom All in the Family, which was the most-watched television program in the United States for five seasons (1971–1976). The character's nickname became closely associated with him, even after he had left the role and went on build a high-profile career as a director. Reiner has stated, "I could win the Nobel Prize and they'd write 'Meathead wins the Nobel Prize'."
Beginning in the 1980s, Reiner became known as a director of successful Hollywood films. Some of these films—The Princess Bride, Stand by Me, and This Is Spinal Tap— remain highly popular with fans. He often collaborates with film editor Robert Leighton, whom he also shares with fellow director-actor Christopher Guest as their go-to editor.
Reiner has gone on to direct other critically and commercially successful films with his own company, Castle Rock Entertainment, such as When Harry Met Sally..., Misery, and his most commercially successful work, A Few Good Men.
He has also been the target of modern satire, notably in a South Park episode entitled "Butt Out". Reiner has made cameos on a number of movies and television shows, including Throw Momma from the Train, Sleepless in Seattle, Bullets Over Broadway, The First Wives Club, Primary Colors, Dickie Roberts: Former Child Star, and 30 Rock.
Read more about this topic: Rob Reiner
Famous quotes containing the word career:
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)