Recording
During studio sessions in Tampa Bay, Florida on 12 December 1974, Blackmore originally planned to record the solo single "Black Sheep of the Family"- a cover of a track by the band Quatermass from 1970. The newly composed "Sixteenth Century Greensleeves" was to be the B-side. Other musicians involved included singer/lyricist Ronnie James Dio and drummer Gary Driscoll of blues rock band Elf, keyboardist Matthew Fisher formerly of Procol Harum, and cellist Hugh McDowell of ELO. Satisfied with the two tracks, Blackmore decided to extend the sessions to a full album.
For the album the other members of Elf, keyboardist Micky Lee Soule and bassist Craig Gruber were utilised. The album was recorded in Musicland Studios in Munich, Germany during February-March 1975. Though it was originally thought to be a solo album, the record was billed as Ritchie Blackmore's Rainbow, and later progressed to a new band project. Blackmore and Dio did promotional work for the album. Shortly after the album was released, all Elf members -excepting Dio- were sacked, and Blackmore recruited new musicians for subsequent Rainbow albums. This first line-up never performed live, and the live photos used in the album art are of Blackmore while with Deep Purple and of Elf playing live.
The last track of the album "Still I'm Sad" is an instrumental cover of a 1965 Yardbirds track.
Read more about this topic: Ritchie Blackmore's Rainbow
Famous quotes containing the word recording:
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
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“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
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