Rigid Body Dynamics - Virtual Work of Forces Acting On A Rigid Body

Virtual Work of Forces Acting On A Rigid Body

An alternate formulation of rigid body dynamics that has a number of convenient features is obtained by considering the virtual work of forces acting on a rigid body.

The virtual work of forces acting at various points on a single rigid body can be calculated using the velocities of their point of application and the resultant force and torque. To see this, let the forces F1, F2 ... Fn act on the points R1, R2 ... Rn in a rigid body.

The trajectories of Ri, i=1,...,n are defined by the movement of the rigid body. The velocity of the points Ri along their trajectories are

where ω is the angular velocity vector of the body.

Read more about this topic:  Rigid Body Dynamics

Famous quotes containing the words virtual, work, forces, acting, rigid and/or body:

    Neither dead nor alive, the hostage is suspended by an incalculable outcome. It is not his destiny that awaits for him, nor his own death, but anonymous chance, which can only seem to him something absolutely arbitrary.... He is in a state of radical emergency, of virtual extermination.
    Jean Baudrillard (b. 1929)

    A work of art that contains theories is like an object on which the price tag has been left.
    Marcel Proust (1871–1922)

    The modern world needs people with a complex identity who are intellectually autonomous and prepared to cope with uncertainty; who are able to tolerate ambiguity and not be driven by fear into a rigid, single-solution approach to problems, who are rational, foresightful and who look for facts; who can draw inferences and can control their behavior in the light of foreseen consequences, who are altruistic and enjoy doing for others, and who understand social forces and trends.
    Robert Havighurst (20th century)

    Acting is the expression of a neurotic impulse. It’s a bum’s life.... The principal benefit acting has afforded me is the money to pay for my psychoanalysis.
    Marlon Brando (b. 1924)

    Pain hardens, and great pain hardens greatly, whatever the comforters say, and suffering does not ennoble, though it may occasionally lend a certain rigid dignity of manner to the suffering frame.
    —A.S. (Antonia Susan)

    We as women know that there are no disembodied processes; that all history originates in human flesh; that all oppression is inflicted by the body of one against the body of another; that all social change is built on the bone and muscle, and out of the flesh and blood, of human creators.
    Andrea Dworkin (b. 1946)