Setting
The foundations for the Rifts world were originally developed in the Palladium game Beyond the Supernatural (first released in 1987), which uses Lovecraftian storytelling techniques for a role-playing experience based on horror fiction.
Some of the important concepts upon which the Rifts setting is based:
- Supernatural events today are rare, generally discounted by science, and difficult or impossible to prove.
- The Rifts world is Earth, but hundreds of years into the future.
- Magic energy exists, and is called potential psychic energy (PPE). PPE can be found in certain places, objects, and animals, but one of its greatest sources is human beings. While this has a variety of applications, upon a human's death, the energy is doubled, and then released into the surrounding environment.
- Ley lines, lines of magic energy, criss-cross the earth forming supernatural geographic areas such as the Bermuda Triangle. In the Rifts game, points where ley lines intersect, called a nexus, are places of powerful magic, such as the Pyramids of Giza and Stonehenge. If a ley line nexus grows very strong, the very fabric of space and time can be torn thus creating a rift, a hole in space-time leading to another place, time or a new or parallel dimension. Ley Lines are normally invisible, but in the magic-saturated world of Rifts Earth, they become visible at night as massive bands of blue-white energy half a mile wide, and stretching for many miles. If the PPE nearby is extremely strong the Ley Lines could be seen during the day too.
Read more about this topic: Rifts (role-playing Game)
Famous quotes containing the word setting:
“High from the summit of a craggy cliff,
Hung oer the deep, such as amazing frowns
On utmost Kildas shore, whose lonely race
Resign the setting sun to Indian worlds,
The royal eagle draws his vigorous young”
—James Thomson (17001748)
“Love is at the root of all healthy discipline. The desire to be loved is a powerful motivation for children to behave in ways that give their parents pleasure rather than displeasure. it may even be our own long-ago fear of losing our parents love that now sometimes makes us uneasy about setting and maintaining limits. Were afraid well lose the love of our children when we dont let them have their way.”
—Fred Rogers (20th century)
“With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.”
—Henry David Thoreau (18171862)