Recording
In the late fall of 1992 the trio embarked on a short U.S. tour. When the tour concluded in December they stayed in America to record their new album at the secluded Pachyderm Recording Studios in Cannon Falls, Minnesota. Harvey chose Chicago musician and sound engineer Steve Albini to record the album. Harvey had admired Albini’s distinctively raw recordings of bands like Pixies, Slint, The Breeders and The Jesus Lizard.
The recording session took place over a two week period, but according to Harvey the bulk of the recording was done in three days. Most of the songs were played live in the studio. Harvey spoke highly of Albini’s recording, stating, "He’s the only person I know that can record a drum kit and it sounds like you’re standing in front of a drum kit. It doesn’t sound like it’s gone through a recording process or it’s coming out of speakers. You can feel the sound he records, and that is why I wanted to work with him, 'cause all I ever wanted is for us to be recorded and to sound like we do when we’re playing together in a room"
She also gave insight into his recording methods, saying "The way that some people think of producing is to sort of help you to arrange or contributing or playing instruments, he does none of that. He just sets up his microphones in a completely different way from which I’ve ever seen anyone set up mikes before, and that was astonishing. He’d have them on the floor, on the walls, on the windows, on the ceiling, twenty feet away from where you were sitting… He’s very good at getting the right atmosphere to get the best take."
The song "Man Size Sextet" was not recorded by Albini. It was instead produced by Harvey, Rob Ellis, and Head.
Shortly after finishing Rid of Me, Albini was hired by Nirvana to record the album that would become In Utero. He sent Nirvana a copy of the recently completed record as an example of what the studio could sound like.
Read more about this topic: Rid Of Me
Famous quotes containing the word recording:
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)