Film
Gervais's film career has included small roles as the voice of a pigeon in 2005's Valiant, as a studio executive in 2006's For Your Consideration, as museum director Dr. McPhee in 2006's Night at the Museum and its sequel Night at the Museum 2, and as "Ferdy the Fence" in the 2007 film Stardust. His role in Night at the Museum has proven to be one of Gervais's most popular roles, with the film grossing $570 million worldwide.
Gervais starred in Ghost Town, which was released on 19 September 2008, and was in Lowell, Massachusetts during May 2008 filming his next project, The Invention of Lying, starring himself, Jennifer Garner, Rob Lowe and Louis C.K., with appearances by Tina Fey, Jeffrey Tambor, Jason Bateman, Roz Ryan, Philip Seymour Hoffman and Edward Norton. The comedy, released in 2009, was co-written and co-directed by Gervais and Matt Robinson.
Gervais and co-writer Stephen Merchant made a film called Cemetery Junction, set in 1970s Britain, about class, love and fulfillment. The film was released in April 2010.
Gervais was the voice of Argonaut in Spy Kids: All the Time in the World, released in 2011. He has also been cast as Mole in the 2012 adaption of The Wind in the Willows, featuring effects by Weta Workshop in New Zealand.
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Famous quotes containing the word film:
“A good film script should be able to do completely without dialogue.”
—David Mamet (b. 1947)
“All the old supports going, gone, this man reaches out a hand to steady himself on a ledge of rough brick that is warm in the sun: his hand feeds him messages of solidity, but his mind messages of destruction, for this breathing substance, made of earth, will be a dance of atoms, he knows it, his intelligence tells him so: there will soon be war, he is in the middle of war, where he stands will be a waste, mounds of rubble, and this solid earthy substance will be a film of dust on ruins.”
—Doris Lessing (b. 1919)
“Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)