Film
Gervais's film career has included small roles as the voice of a pigeon in 2005's Valiant, as a studio executive in 2006's For Your Consideration, as museum director Dr. McPhee in 2006's Night at the Museum and its sequel Night at the Museum 2, and as "Ferdy the Fence" in the 2007 film Stardust. His role in Night at the Museum has proven to be one of Gervais's most popular roles, with the film grossing $570 million worldwide.
Gervais starred in Ghost Town, which was released on 19 September 2008, and was in Lowell, Massachusetts during May 2008 filming his next project, The Invention of Lying, starring himself, Jennifer Garner, Rob Lowe and Louis C.K., with appearances by Tina Fey, Jeffrey Tambor, Jason Bateman, Roz Ryan, Philip Seymour Hoffman and Edward Norton. The comedy, released in 2009, was co-written and co-directed by Gervais and Matt Robinson.
Gervais and co-writer Stephen Merchant made a film called Cemetery Junction, set in 1970s Britain, about class, love and fulfillment. The film was released in April 2010.
Gervais was the voice of Argonaut in Spy Kids: All the Time in the World, released in 2011. He has also been cast as Mole in the 2012 adaption of The Wind in the Willows, featuring effects by Weta Workshop in New Zealand.
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Famous quotes containing the word film:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“A film is a petrified fountain of thought.”
—Jean Cocteau (1889–1963)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)