Film and Television Scores
He has written music for films and television; among his scores are the Doctor Who story The Aztecs (1964) for television, and the feature film Billion Dollar Brain (1967). His scores for Far from the Madding Crowd (1967), Nicholas and Alexandra (1971), and Murder on the Orient Express (1974), each garnered him Academy Award nominations, with Murder on the Orient Express earning him a BAFTA award. Later works include Enchanted April (1992), Four Weddings and a Funeral (1994), and The Tale of Sweeney Todd (1998). He is also a prolific composer of orchestral works, piano solos, choral works and operas. Despite this eclecticism, Bennett's music rarely involves crossover of styles.
Read more about this topic: Richard Rodney Bennett
Famous quotes containing the words film, television and/or scores:
“If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.”
—Salman Rushdie (b. 1948)
“Addison DeWitt: Your next move, it seems to me, should be toward television.
Miss Caswell: Tell me this. Do they have auditions for television?
Addison DeWitt: That’s all television is, my dear. Nothing but auditions.”
—Joseph L. Mankiewicz (1909–1993)
“It is not he who gains the exact point in dispute who scores most in controversy—but he who has shown the better temper.”
—Samuel Butler (1835–1902)