Film and Television Scores
He has written music for films and television; among his scores are the Doctor Who story The Aztecs (1964) for television, and the feature film Billion Dollar Brain (1967). His scores for Far from the Madding Crowd (1967), Nicholas and Alexandra (1971), and Murder on the Orient Express (1974), each garnered him Academy Award nominations, with Murder on the Orient Express earning him a BAFTA award. Later works include Enchanted April (1992), Four Weddings and a Funeral (1994), and The Tale of Sweeney Todd (1998). He is also a prolific composer of orchestral works, piano solos, choral works and operas. Despite this eclecticism, Bennett's music rarely involves crossover of styles.
Read more about this topic: Richard Rodney Bennett
Famous quotes containing the words film, television and/or scores:
“This film is apparently meaningless, but if it has any meaning it is doubtless objectionable.”
—British Board Of Film Censors. Quoted in Halliwell’s Filmgoer’s Companion (1984)
“They [parents] can help the children work out schedules for homework, play, and television that minimize the conflicts involved in what to do first. They can offer moral support and encouragement to persist, to try again, to struggle for understanding and mastery. And they can share a child’s pleasure in mastery and accomplishment. But they must not do the job for the children.”
—Dorothy H. Cohen (20th century)
“So, Willy, let you and me be wipers
Of scores out with all men—especially pipers;
And, whether they pipe us free, from rats or from mice,
If we’ve promised them aught, let us keep our promise.”
—Robert Browning (1812–1889)