Politics and Prison
Lovelace’s poetry was often influenced by his experiences with politics and association with important figures of his time. At the age of thirteen, Lovelace became a "Gentlemen Wayter Extraordinary" to the King and at nineteen he contributed a verse to a volume of elegies commemorating Princess Katharine. In 1639 Lovelace joined the regiment of Lord Goring, serving first as a senior ensign and later as a captain in the Bishops’ Wars. This experience inspired the "Sonnet. To Generall Goring." Upon his return to his home in Kent in 1640, Lovelace served as a country gentleman and a justice of the peace where he encountered firsthand the civil turmoil regarding religion and politics.
In 1641 Lovelace led a group of men to seize and destroy a petition for the abolition of Episcopal rule, which had been signed by fifteen thousand people. The following year he presented the House of Commons with Dering’s pro-Royalist petition which was supposed to have been burned. These actions resulted in Lovelace’s first imprisonment. Shortly thereafter, he was released on bail with the stipulation that he avoid communication with the House of Commons without permission. This prevented Lovelace, who had done everything to prove himself during the Bishops’ Wars, from participating in the first phase of the English Civil War. However, this first experience of imprisonment did result in some good, as it brought him to write one of his finest and most beloved lyrics, "To Althea, from Prison," in which he illustrates his noble and paradoxical nature. Lovelace did everything he could to remain in the king’s favor despite his inability to participate in the war.
Richard Lovelace did his part again during the political chaos of 1648, though it is unclear specifically what his actions were. He did, however, manage to warrant himself another prison sentence; this time for nearly a year. When he was released in April 1649, the king had been executed and Lovelace’s cause seemed lost. As in his previous incarceration, this experience led to creative production—this time in the form of spiritual freedom, as reflected in the release of his first volume of poetry, "Lucasta".
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